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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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7.3 Conclusion<br />

This chapter has given an account of Adorno’s method of natural history, by<br />

which philosophical interpretation exhibits the mediation of social reality by nature. This<br />

mediation is available to philosophical reflection because concepts have the structure of<br />

the “contradiction in the concept.” According to this structure, concepts are not only<br />

confined to their discursive role, in accordance with which they repress and conceal the<br />

non-conceptual element in the object, but rather also have a rhetorical, expressive role, by<br />

which they can express ‘traces of the non-conceptual’ that survive in them. Concepts are<br />

able to, in a sense, transcend the confines of the delusional system by being deployed in a<br />

manner that uses their rhetorical, presentational aspects in order to reveal the particular<br />

non-identity that holds between concept and object.<br />

In the next chapter, I will complete this account of how the mediation of social<br />

reality by nature enters into philosophical reflection by looking at the philosophy of<br />

language that underlies Adorno’s theory of concepts. Doing so will clarify the specific<br />

structure of the constellations that give voice to the relation of non-identity between<br />

concept and object, and which is the macro-structure of negative dialectics.<br />

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