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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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eality as a whole does not result in a final explanation of this reality, but rather<br />

conceives of the structure of the totality as new material for interpretation. The<br />

interpretation that remains to be carried out is specifically an interpretation of the<br />

mediation of the entire social order by nature.<br />

4.4 Positivist v. critical thought<br />

In this section, I employ the account I have developed of the “contradiction in the<br />

object” and the dialectical mode of reflection to which it gives rise in order to get a more<br />

detailed account of negative dialectics. First, I explain the distinction that Adorno takes<br />

there to hold between a positivist, ideological form of thought and critical thought. Then<br />

I build an account of the logical structure of negative dialectics based on the idea that its<br />

object of analysis—that is, social reality as a whole—is structured in terms of the<br />

dialectic of essence and appearance that characterizes the “contradiction in the object.”<br />

What Adorno calls “positivism” is characterized by a form of thinking that<br />

concerns itself with the study of isolated facts but does not analyze them in their relation<br />

to the whole, to the social totality. In other words, positivism gathers information about<br />

the appearance of social reality as it is taken up in ordinary consciousness but does not<br />

inquire into the mechanisms by which such consciousness is pre-formed. Critical<br />

thought, on the other hand, accomplishes three further things: first, it analyzes finite facts<br />

in terms of their mediation by the social totality and its determining principle of exchange<br />

(which means that it interprets the sphere of appearance in relation to essence); second, it<br />

shows that the relation between the logic of finite facts and the logic of their mediation by<br />

the social totality is contradictory (which means that it develops a dialectical<br />

191

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