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88 FRANCIS BACON'S CRYPTIC RHYMES<br />
Any one, with an ear trained to the music of poetry,<br />
will at once detect the exquisite beauty, the richness<br />
and fulness of the poetic form in which Bacon has<br />
clothed the thoughts he added to the psalm.<br />
Naturally,<br />
the Hebrew poet had no idea of Christal Light being<br />
the " Mother of Colours all," a thought as beautifully<br />
expressed, as it is scientifically true. This is another<br />
of Bacon's additions.<br />
The 1 26th Psalm glides along in the lightest metre :<br />
When God return'd us graciously<br />
Unto our Native Land,<br />
We seem'd as in a Dream to be,<br />
And in a Maze to stand.<br />
Psalm cxxvi., stanza I.<br />
Thus we have shown by three examples how the<br />
English psalmist clothes even these few poetic works<br />
in various forms, each suited to the matter dealt with.<br />
But he was not contented to write final<br />
rhymes only ;<br />
he did what none but a skilled poet<br />
;<br />
can do<br />
instances he introduced internal rhymes, just<br />
in<br />
many<br />
as in the<br />
Shakespeare Plays. The following are a few single<br />
lines in proof of our statement :<br />
For why ? the Lord hath special Eye<br />
. . .<br />
And sure, the Word of God is<br />
pure and fine . . .<br />
One God thou wert, and art, and still shall be ...<br />
Frail Man, how can he stand before thy face . . .<br />
In that good day it<br />
repay unto them . . .<br />
Whenas we sate all<br />
sad and deso/ate,<br />
By Baby/ow, upon the Rivers side . . .<br />
Of course, each of these lines has also its terminal<br />
rhyme.<br />
Another charming feature in the form in<br />
which the