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46 FRANCIS BACON'S CRYPTIC RHYMES<br />
that the man wrote an<br />
signatures, however, prove<br />
awful hand. They are even drawn in such a childish<br />
fashion that some graphologists have concluded<br />
therefrom, that the man could write nothing beyond<br />
his own name.<br />
As regards the education of the actor, we know for<br />
a positive fact that it was very deficient. True, he<br />
frequented the Free Grammar School at Stratford,<br />
but not for long. The fact that he is said (!)<br />
to have<br />
been a lawyer's clerk for a short time, was not likely<br />
to render him a scholar. His early marriage and the<br />
fact that he forsook his wife and three children, were<br />
feats but ill-calculated to stamp him as the literary hero<br />
of his day.<br />
As to the personality of the man, we are told that<br />
he became an actor in London, and that later on he<br />
rose to be one of the chief part-owners, or one of<br />
the leading members of the company. But little is<br />
positively known as to the parts he played. It is<br />
probable that he mostly took the comic parts.<br />
Ben<br />
Jonson informs us that in his extemporising on the<br />
stage he at times o'ershot the mark.<br />
At the age of forty-five, or thereabouts, he finally<br />
retired from London life and returned to his native<br />
town Stratford-on-Avon, where he died in 1616. In<br />
his Last Will no mention is made of any literary rights<br />
or claims upon any plays or books is<br />
; nothing said of<br />
books or manuscripts, to be left to his heirs, whereas<br />
in other details he even goes so far as to dispose of his<br />
second-best bedstead.<br />
At his death not a line was penned in all England,<br />
not a word, deploring the loss of a great poet.<br />
In direct contrast to all these facts stands the