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228 FRANCIS BACON'S CRYPTIC RHYMES Crudelitas viro bono semper fabulosa esse videtur, et fictio tragica. Adulationis deformitas cornica, nocumentum tragicum. Atque est res, quae si sit professoria, infamis est : verum disciplinaria facta, ex optimis est. Intelligimus autem actionem thtatralem. From the " Novum Organum " Quatuor sunt genera Idolorum quae mentes humanas obsident. lis (docendi gratia) nomina imposuimus ut ; primum genus, Idola Tribus ; secundum, Idola Specus ; tertium, Idola Fori ; quartum, Theatri vocentur. Sunt denique Idola quae immigrarunt in animos hominum ex diversis dogmatibus philosophiarum, ac etiam ex perversis legibus demonstrationum ; quae Idola Theatri nominamus ; quia quot philosophiae receptae aut inventae sunt, tot jabulas productas et actas censeamus, quae mundos effecerunt fictitios et scenicos. Neque de his quae jam habentur, aut etiam de veteribus philosophiis et sectis, tantum loquimur ; cum complures aliae ejusmodi fabulae componi et concinnari possint. . . . Idola Thtatri, sive theoriarum, multa sunt, et multo plura esse possunt, et aliquando fortasse erunt. Atque hujusmodi theatri fabulae habent etiam illud, quod in theatro poetatum usu venit, ut narrationes fictae ad scenam narrationibus ex historia veris concinniores sint et elegantiores, et quales quis magis vellet. : From the " Historia Vitae et Mortis" : cum dicatur Luceia annum centenarium baud parum superavit ; centum annis totis in scena mimam agens pronuntiasse ; puellae fortasse primo paries suscipiens, postremo anus decrepitae. At Galena Copiola, tnima etiam et saltria, pro tyrocinio suo producta est in scenam, quoto anno aetatis incertum est verum ; post annos nonaginta novem ab ea productione rursus reducta est in scenam, non jam pro tnima sed pro miraculo, in dedicatione theatri a Pompejo Magno ; neque hie finis, cum in ludis votivis pro salute divi Augusti iterum monstrata sit in scena. Fuit et alia mima, aetate paulo inferior, dignitate sublimior, quae ad nonagesimum annum aetatem fere produxit Livia ; Julia Augusta, Caesaris Augusti uxor, Tiberii mater. Etenim si fabula fuit vita Augusti (id quod ipse voluit, cum decumbens amicis praecepisset, ut postquam expirarit, sibi Plaudite exhiberent), certe et Livia optima mima fuit ; quae cum marito obsequio, cum filio potestate quadam et praedominantia, tarn bene congrueret.
APPENDIX TO CHAPTER II 229 From the " Natural History" : The people being in theatres at plays. As in churches, at arraignments, in plays and solemnities, and the like. From the " New Atlantis " : So as the boats stood all as in a theatre. From " De Sapientia Veterum " : In proprietate nominum quibus personae sive actores fabulae insigniti et veluti inscripti prodeunt. From "The History of King Henry the Seventh of England " : And accordingly to frame him and instruct him in the part he was to play. To instruct his player, either in gesture and fashions. And none could hold the book so well to prompt and instruct this stage play as she could. Simon did first instruct his scholar for the part of Richard Duke of York. He thought good (after the manner of scenes in stage plays and masks') to show it far off. After her husband's death she was matter of tragedy (Elizabeth, the widow of King Edward the Fourth). He would be a continual spectacle. Fortune commonly doth not bring in a comedy or farce after a tragedy. Made a play and disguise of it. And could make his own part, if any time he chanced to be out. The person of Richard Duke of York, whom he was to act. The part, he was to play. The stage, where a base counterfeit should play the part of a King of England. Playing the prince. The tragedy of a young man. The spectacle of a Plantagenet. That execrable tragedy. And a great prince and not a representation only. Perkin, acting the part of a prince handsomely. The Lord Mayor and the Sheriffs did their part stoutly and well. His stage-like greatness. Therefore now, like the end of a play, a great number came upon the stage at once.
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UNIVERSITY OF TORONTO LIBRARY ONTAR
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- FRANCIS BACO CRYPTIC RHY AND THE
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would like to express my heartfelt
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II WHAT WAS FRANCIS BACON'S ESTIMAT
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ightful FRANCIS BACON'S CRYPTIC RHY
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