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yo<br />
FRANCIS BACON'S CRYPTIC RHYMES<br />
dich Hebe. Ich will nicht sagen, bedaure mich ;<br />
das 1st keine<br />
soldatenhafte Phrase ;<br />
aber ich sage, liebe mich :<br />
Der for dich ficht,<br />
In Ritterpflicht,<br />
Bei Tageslicht,<br />
Und wenn's gebricht,<br />
Nachts minder nicht.<br />
John Falstaff.<br />
All modern editors in England, however, and the<br />
translator Tieck, have overlooked the fact, that the whole<br />
of the first half of the letter and more is conceived in<br />
droll rhymes, although the outward form does not show<br />
it<br />
directly. The word "for" occurs at the end of<br />
the first break line, which corresponds exactly to the<br />
manner of speaking, the speaker often pausing a<br />
moment after the conjunction "for," in order to render<br />
more prominent that which is to follow. The word<br />
rhymes with the final " 7 "<br />
syllable in Counsailour<br />
(counsellor 7 The word "Reason " forms a comic<br />
).<br />
rhyme<br />
to "precisian" (modern editions print "physician").<br />
Then " " I and " simpathie " rhyme three times. The<br />
rhymes in the old print are mostly distinguished by<br />
colons ;<br />
for the sign<br />
: is contained no fewer than six<br />
times in the first sentences. So that we might print the<br />
first sentences as rhymed verses in the following form :<br />
Aske me no reason why I love you, for<br />
though Love use Reason<br />
for his preasww,<br />
hee admits him not for his Counsai/o/ :<br />
you are not yong, no more am 7:<br />
goe to then, there's simpathie :<br />
you are merry, so am / :<br />
ha, ha, then there's more simpa//wV :<br />
you love sacke, and so do / :<br />
would you desire better simpathie ?