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APPENDIX TO CHAPTERS VIII<br />

AND IX<br />

REMARKS ON ENGLISH AND FRENCH RHYMING<br />

THE following selections are intended to<br />

show how fond<br />

English and French poets were, and still are, of indulging<br />

in poetry consisting of lines varying in length, and of<br />

" "<br />

interlacing and combining rhymes in a most extraordinary<br />

manner.<br />

From George Herbert's Collection of Religious Poems,<br />

"The Temple." Herbert was the man to whom Bacon<br />

dedicated his " Seven Psalms." He lived from 1593 to<br />

1632.<br />

The two opening stanzas of the poem " Discipline "<br />

thus :<br />

Throw away Thy rod,<br />

Throw away Thy wrath ;<br />

O my God,<br />

Take the gentle path.<br />

run<br />

For my heart's desire<br />

Unto Thine is bent :<br />

I aspire<br />

To a full consent.<br />

Here is the first stanza of the poem " Peace " :<br />

Sweet Peace, where dost thou dwell ? I humbly crave,<br />

Let me once know.<br />

I thought thee in a secret cave,<br />

And asked if Peace were there.<br />

A hollow wind did seem to answer, " No;<br />

Go seek elsewhere."

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