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FRANCIS BACON'S CRYPTIC RHYMES 145<br />
nature. Whereas the first<br />
Essay clearly hinted at<br />
Bacon's work as a poet for the stage,<br />
and author of<br />
the Tempest, the newly added lines concluding the<br />
second Essay, state one of the reasons why he con<br />
cealed his " artes " (arts).<br />
He surpassed the others in<br />
art ;<br />
he had reason to fear the others' envy,<br />
and he<br />
carried on his art secretly. His death will extinguish<br />
that jealousy ;<br />
then may his name stand forth, then<br />
may the world know who Francis Bacon really was.<br />
The third<br />
new in<br />
Essay, "Of Unity in Religion," was not<br />
1625, but had been almost entirely recast, and<br />
considerably enlarged.<br />
Many a rhyme flashes up in<br />
it. But we shall only mention one short quotation<br />
from the Bible, to prove again how seldom Bacon<br />
quotes without altering and so recasting the words<br />
that rhyme results. Any other author in quoting a<br />
passage from the second Book of Kings (ix.<br />
1 8) would<br />
reproduce the Biblical words " : And Jehu said, What<br />
hast thou to do with peace? turn thee behind me."<br />
Bacon, however, writes: "Is it peace, Jehu? What<br />
hast thou to doe with peace? turne thee behinde me."<br />
Which means that he dramatises even those few words,<br />
shaping them into question and answer, and framing a<br />
rhyme : Is it<br />
peace, ]zhu ?<br />
What hast thou to doe<br />
with peace ?<br />
behinde me.<br />
turne thee<br />
This is but a trifle, and yet<br />
it is in this very manner<br />
of acting that the innermost nature of a man will often<br />
reveal itself to us. If this was done intentionally, we<br />
have proved our :<br />
argument Bacon wanted to rhyme.<br />
If it was accidental, that accident shows that rhyme