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FRANCIS BACON'S CRYPTIC RHYMES 145<br />

nature. Whereas the first<br />

Essay clearly hinted at<br />

Bacon's work as a poet for the stage,<br />

and author of<br />

the Tempest, the newly added lines concluding the<br />

second Essay, state one of the reasons why he con<br />

cealed his " artes " (arts).<br />

He surpassed the others in<br />

art ;<br />

he had reason to fear the others' envy,<br />

and he<br />

carried on his art secretly. His death will extinguish<br />

that jealousy ;<br />

then may his name stand forth, then<br />

may the world know who Francis Bacon really was.<br />

The third<br />

new in<br />

Essay, "Of Unity in Religion," was not<br />

1625, but had been almost entirely recast, and<br />

considerably enlarged.<br />

Many a rhyme flashes up in<br />

it. But we shall only mention one short quotation<br />

from the Bible, to prove again how seldom Bacon<br />

quotes without altering and so recasting the words<br />

that rhyme results. Any other author in quoting a<br />

passage from the second Book of Kings (ix.<br />

1 8) would<br />

reproduce the Biblical words " : And Jehu said, What<br />

hast thou to do with peace? turn thee behind me."<br />

Bacon, however, writes: "Is it peace, Jehu? What<br />

hast thou to doe with peace? turne thee behinde me."<br />

Which means that he dramatises even those few words,<br />

shaping them into question and answer, and framing a<br />

rhyme : Is it<br />

peace, ]zhu ?<br />

What hast thou to doe<br />

with peace ?<br />

behinde me.<br />

turne thee<br />

This is but a trifle, and yet<br />

it is in this very manner<br />

of acting that the innermost nature of a man will often<br />

reveal itself to us. If this was done intentionally, we<br />

have proved our :<br />

argument Bacon wanted to rhyme.<br />

If it was accidental, that accident shows that rhyme

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