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FRANCIS BACON'S CRYPTIC RHYMES 83<br />

HAMLET.<br />

For thou dost know, O Damon dear,<br />

This realm dismantled was<br />

By Jove himself ;<br />

and now reigns here<br />

A very, very pajock.<br />

(From the Tauchnitz Edition.,<br />

Whereupon Horatio says : " You might have<br />

rhymed."<br />

" Dear and " here " do rhyme ; the metre is clearly<br />

heard ;<br />

at the end of the fourth line, Horatio (and<br />

every English ear) expects a rhyme to the final word<br />

"<br />

of the second line : was." That rhyme " is ass " and<br />

no other, but we hear the word " pajock " instead.<br />

Hamlet has spoken<br />

in verses terminating in a vexingrhyme,<br />

i.e., in verses with the final word purposely<br />

altered. If we go to the bottom of the matter, i.e.,<br />

if we substitute the right word at the end of the final<br />

line, the verses would run thus :<br />

For thou dost know, O Damon dear<br />

This realm dismantled was<br />

By Jove himself; and now reigns here<br />

A very, very ass I<br />

Schlegel's<br />

translation of these verses is indeed a<br />

failure :<br />

HAMLET.<br />

Denn dir, mein Damon ist bekannt<br />

Dem Reiche ging zu Grund<br />

Ein Jupiter ;<br />

nun herrschet hier<br />

Ein rechter, rechter Affe (!)<br />

HORATIO.<br />

Ihr hattet reimen konnen.<br />

For, since he leaves not only lines two and four,<br />

but also one and three, unrhymed, Horatio's clamour<br />

ing for a rhyme is without motive. And yet how

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