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io8<br />

FRANCIS BACON'S CRYPTIC RHYMES<br />

with ready wit, as the judge described by the lawyer<br />

Bacon.<br />

The final lines of the first scene in "Loves Labour s<br />

Lost "<br />

abound similarly with internal rhymes, and yet<br />

the rhyme at the very end is omitted ;<br />

the Clown<br />

Costard utters the words :<br />

Welcome the sour cup of prosperity !<br />

Affliction may one<br />

day smile again ;<br />

and till<br />

then, Sit thee down, sorrow !<br />

In the play, the sentences are printed in prose,<br />

though in reality, they are rhymed similarly to the<br />

rhymes in that Anecdote ;<br />

only in this case the move<br />

ment is downwards :<br />

Welcome the sour cup of prosperity !<br />

Affliction may<br />

one day<br />

smile again;<br />

and till then,<br />

down, sorrow !<br />

Sit thee<br />

Wherever superstition and prophecy are touched<br />

upon, (later on we shall quote more detailed instances),<br />

Bacon, true to the childlike belief, introduces rhyme,<br />

even though<br />

it be in the middle of a sentence, and<br />

nothing else rhyme in the anecdote ; thus, for instance,<br />

in the little story about Pope Julius and one of his<br />

protege's :<br />

That he had lound by astrology that it was the youth's<br />

destiwy to be a great prelate.<br />

Similarly in the scene between "two noblemen"<br />

quizzing each other .<br />

\ Well, I and_yo, against any two of them.

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