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APPENDIX TO CHAPTER I 221<br />

confesses that there is I<br />

something may here at once add<br />

something " very important" which he does not know.<br />

The short, momentous sketch of Bacon's life, written by<br />

his secretary Kawley, was not published till 1657, as intro<br />

duction to the compilation entitled " Resuscitatio." In the<br />

year following, Rawley published that sketch as introduction<br />

to a little Bacon volume printed in Holland, " Opuscula<br />

Philosophica," in Latin, and reprinted<br />

it in another little<br />

book, " Opuscula Varia Posthuma Francisci Baconi,"<br />

Amsteledami, 1663." This "Vita Baconi," a highly<br />

important document, as it deviates in the Latin <strong>version</strong> in<br />

many respects from the English original, Mr. Spedding<br />

omits from his fourteen-volumed edition, thus only furnish<br />

ing us with a " Life of Bacon " in the English <strong>version</strong>,<br />

first<br />

appeared in London in 1657.<br />

Those Dutch editions terminate with the sentence :<br />

as it<br />

Quamvis autem Corpus quod deposuit, Mortale fuerit, Libri<br />

tamen ejus & Memoria haud dubie perennes erunt, neque prius fatis<br />

cessuri, quam Orbis terrarum machina dissolvatur.<br />

The concluding words of the English edition of 1657<br />

are :<br />

But howsoever his Body was mortal, yet no doubt his Memory<br />

and Works will live, and will in all probability last as long as the<br />

World lasteth. In order to which I have endeavor'd (after my poor<br />

Ability)<br />

to do this Honour to his Lordship, by way of enducing to<br />

the same.<br />

So that, whereas the English <strong>version</strong> merely says that the<br />

Memory and Works of Bacon will " last as long as the<br />

World lasteth," the Latin editions published in Holland<br />

end with an allusion to the Theatre<br />

"<br />

: They will not yield<br />

to fate, until the theatrical machinery of the globe is<br />

dissolved."<br />

" Machina," jurj^ai/^<br />

in Greek, signifies the<br />

theatrical or stage- machinery, upon which the gods, in<br />

tragedy, descended (were let down) from above on to the<br />

stage, hence the saying : " Deus ex machina." The English<br />

edition then adds the above-mentioned stilted sentence,

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