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1<br />
84 FRANCIS BACON'S CRYPTIC RHYMES<br />
Matthew, the man who always examined Bacon's<br />
literary work before it went to print. Is it not again<br />
highly significant that that Essay dedicated to the<br />
friendship of his literary counsellor, should close with<br />
the words :<br />
I have given a Rule, where a Man cannot fitly play his<br />
owne Part :<br />
If he have not a Frend, he may quit the Stage.<br />
"Part" and "Stage," the catch-words in the final<br />
sentence of an Essay on Friendship, dedicated to that<br />
man who gave<br />
it us in writing that Bacon's marvellous<br />
genius was known under the name of another !<br />
The next Essay was not new in 1625. But the<br />
number it bears in the Book places<br />
it in a certain<br />
relationship of thought to the Shakespeare Plays.<br />
is headed, " Of Expence," and is the 28th Essay.<br />
And the 28th drama of the Shakespeare Edition that<br />
was published two years before, treats the same subject<br />
dramatically, for the first acts of Timon of Athens deal<br />
with sumptuousness, love of prodigality, i.e., mad<br />
" Expence."<br />
In the course of our investigations, we have seen that<br />
some of the Essays are connected with certain single<br />
dramas (simulation with " Hamlet " sensual love with<br />
;<br />
" "<br />
Anthony<br />
;<br />
expense with " Timon " boldness with<br />
;<br />
the figure of Falstaff)<br />
; but, on the other hand,<br />
it is natural that certain other Essays should show<br />
relationship to a number of Plays, thus, for instance,<br />
the Essay, "Of Seditions and Troubles," to the<br />
histories ;<br />
the " Essay, Of Cunning," to the intrigues<br />
and strategies, which find their parallels<br />
in various of<br />
the Shakespeare Plays. The short " Essay, Of Sus<br />
picion," is also of the last-named kind, and is one of<br />
It