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FRANCIS BACON'S CRYPTIC RHYMES 157<br />

ensem<br />

ble un main-"<br />

tien in<br />

different<br />

entre les deux, & d'estre secret,<br />

sans faire tomber<br />

la balance de quelque coste.<br />

But we must return to the English original Essay<br />

" Of Simulation and Dissimulation " of the year 1625.<br />

For this<br />

rhymed verselet does not settle the matter<br />

nor does it end there. One object that Bacon pursued<br />

in writing his Essays, especially<br />

in those contained in<br />

the last edition, evidently was to reveal the mystery of<br />

his authorship as a poet. But that was not his only<br />

object. Those Essays served Bacon rather in<br />

elucidating also "the moral and civil" views of<br />

the Shakespeare plays. To follow the author step by<br />

step in what he says, would be to print the Essays<br />

three times over from beginning to end, The Essay,<br />

"Of Truth," affords us points of comparison with the<br />

Shakespeare- Tempest. A number of examples<br />

selected from classic antiquity, contained in the Essay,<br />

'"<br />

Of Death," show us those passages in the plays in<br />

which the poet falls back upon those stories of<br />

antiquity and learns and borrows from them in his own<br />

works. The " Essay, Of Adversitie," served also to<br />

elucidate similar passages in the plays. We need but<br />

recall the line in As You Like It (ii. i) :<br />

The idea agrees entirely<br />

Sweet are the uses of adversity.<br />

with the views of Seneca<br />

and Bacon expressed in said Essay.<br />

We will now closely examine and discuss that<br />

Shakespeare-Commentary in<br />

the Essays<br />

with the aid

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