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FRANCIS BACON'S CRYPTIC RHYMES 157<br />
ensem<br />
ble un main-"<br />
tien in<br />
different<br />
entre les deux, & d'estre secret,<br />
sans faire tomber<br />
la balance de quelque coste.<br />
But we must return to the English original Essay<br />
" Of Simulation and Dissimulation " of the year 1625.<br />
For this<br />
rhymed verselet does not settle the matter<br />
nor does it end there. One object that Bacon pursued<br />
in writing his Essays, especially<br />
in those contained in<br />
the last edition, evidently was to reveal the mystery of<br />
his authorship as a poet. But that was not his only<br />
object. Those Essays served Bacon rather in<br />
elucidating also "the moral and civil" views of<br />
the Shakespeare plays. To follow the author step by<br />
step in what he says, would be to print the Essays<br />
three times over from beginning to end, The Essay,<br />
"Of Truth," affords us points of comparison with the<br />
Shakespeare- Tempest. A number of examples<br />
selected from classic antiquity, contained in the Essay,<br />
'"<br />
Of Death," show us those passages in the plays in<br />
which the poet falls back upon those stories of<br />
antiquity and learns and borrows from them in his own<br />
works. The " Essay, Of Adversitie," served also to<br />
elucidate similar passages in the plays. We need but<br />
recall the line in As You Like It (ii. i) :<br />
The idea agrees entirely<br />
Sweet are the uses of adversity.<br />
with the views of Seneca<br />
and Bacon expressed in said Essay.<br />
We will now closely examine and discuss that<br />
Shakespeare-Commentary in<br />
the Essays<br />
with the aid