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48 FRANCIS BACON'S CRYPTIC RHYMES<br />
time when one of the dramas, the tragedy of Richard<br />
the Second, had, by its revolutionary tendency, roused<br />
the anger of the Queen, the name of '<br />
William<br />
Shakespeare " should suddenly appear upon a number<br />
of dramatic title-pages.<br />
In the years 1598 to 1600<br />
seven dramas appeared with that name on their titlepages<br />
Richard the Second and Richard the Third,<br />
:<br />
hitherto printed anonymously, besides the new dramas,<br />
Loves Labour s Lost, Much Ado About Nothing, A<br />
Midsummer- Night's Dream, The Merchant of Venice,<br />
the Fourth.<br />
and the Second Part of King Henry<br />
After Hamlet had appeared<br />
in 1603,<br />
there was<br />
a pause<br />
in the publication of new Shakespeare plays.<br />
During the whole period of eighteen years (from 1604-<br />
1621) only one new play was published, Troylus and<br />
Cressida. It would seem, as though the poet's mind<br />
had suddenly become completely absorbed by totally<br />
different matters, and had no time to prepare his works<br />
for print.<br />
Those were exactly the years in which<br />
Bacon was entirely taken up with his official duties.<br />
In the meantime, two things occurred : the actor's<br />
final departure from London and his death at<br />
Stratford.<br />
Then it was, six years after the death of the actor,<br />
at the time when Bacon was freed from all state duties,<br />
that a new drama issued from the press ;<br />
it was<br />
Othello. A year after, however, appeared the large<br />
Folio Edition, containing the goodly number of thirty<br />
-<br />
six plays, no fewer than fifteen of which were new, i.e.,<br />
had never been printed before, and all the other pla\ s<br />
had been revised. The chief part of the publication<br />
had been supervised by Francis Bacon's friend, the<br />
poet Ben Jonson, as is proved by the introductory