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64 FRANCIS BACON'S CRYPTIC RHYMES In Bacon's prose writings we shall find parts even to these passages, in French. the counter And now let us consider what we understand by " concealed " rhymes in the Shakespeare Plays. We have already given the reader a foretaste of this kind of concealed rhyme, namely in the pro " fusely rhymed line, Faith, I saw it not, but I felt it hot in her breath" (Comedy of Errors). And there are numerous passages in the Shake speare prose, where the rhymes suddenly flash upon the eye of the attentive reader, which had hitherto escaped notice. The whole scene between Portia and her waitingmaid Nerissa in The Merchant of Venice (i. 2) is printed as prose, and yet it contains some most charm ingly rhymed verses. Thus, for instance, when the mistress bewails her lot, that she is not free to choose herself a husband, she concludes her speech with words : the Is it not hard, Nerissa, that I cannot choose one, nor refuse none? Schlegel translates : 1st es nicht hart, Nerissa, dass ich nicht einen wahlen und auch keinen ausschlagen darf ? He evidently overheard the double rhyme at the conclusion of the speech altogether, namely : I cannot choose one, nor refuse none. A correct translation would be something after this style :
FRANCIS BACON'S CRYPTIC RHYMES 65 1st es nicht hart, Nerissa, dass ich nicht wahlen einen darf, und auch verneinen keinen darf. The same is the case with the concluding words of that scene, which Portia addresses to Nerissa and the servant. In the Folio Edition of the year 1623 upon which, from now on, we base our researches altogether the passage is printed as prose : in continuous lines Come, Nerissa, sirra go before ; whiles wee shut the gate upon one wooer, another knocks at the doore. In reality, however, we have three concealed verses that rhyme : Come Nerissa, sirra go before ; whiles wee shut the gate upon one wooer, another knocks at the doore. " Wooer " rhymes perfectly to " before" and " doore." We must give Schlegel the credit of having repro duced two of the rhymed words : Komm, Nerissa. Geht voran, Bursch ! Geht der alte Freiersw###, Klopft bereits ein zweiter an ; but he missed the third. And we would now draw attention to a few similar instances in King Henry the Fourth, First Part. When in Act ii. 4 Prince Henry says : Prithee, let him alone, we shall have more anon, we have a couplet printed in prose-form in the prosetext : Prithee, let him a/one, we shall have more anon. E
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would like to express my heartfelt
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IX FRANCIS BACON'S ESSAY-RHYMES, AN
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1 63 been hurling darts of sharpest
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To take the saft'st occasion by the
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which rhyme : It is generally bette
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2i 8 FRANCIS BACON'S CRYPTIC RHYMES
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220 FRANCIS BACON'S CRYPTIC RHYMES
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APPENDIX TO CHAPTER V TEMPORIS PART
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2 4o FRANCIS BACON'S CRYPTIC RHYMES
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EDWIN BORMANN'S WORKS ON BACON-SHAK
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JAN
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