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FRANCIS BACON'S CRYPTIC RHYMES 173<br />
comedian, from what Ben Jonson says in his " Dis<br />
coveries," in which he tells us that the player Shakspere<br />
was inclined to improvise and add particularly<br />
comic speeches of his own, so that at times one felt<br />
like putting an extinguisher on to him (literally "he<br />
:<br />
should be stop'd ").<br />
The first nine Essays having gone<br />
so far in the<br />
facts they reveal as to speak finally of "bringing<br />
another person on to the stage," the Essay, " Of<br />
Love," introduced us into a Shakespeare tragedy, the<br />
Essay, " Of Boldnesse," into a merry " Satyre."<br />
The next Essay (which was not new in 1625) dis<br />
creetly sounds another title of a Shakespeare Play :<br />
Timon. The first edition had suppressed that word,<br />
which the second one, dated 1612, names for<br />
the first<br />
time.<br />
The Essay, " Of Seditions and Troubles," most<br />
excellently characterises the corresponding proceed<br />
ings in the Shakespeare Histories. " Fame " (Report,<br />
Rumour) is called a "Prelude" to the political dis<br />
turbances " ;<br />
Rumour " (Fama) enters and speaks the<br />
" Prologue<br />
" in the Second Part of King Henry the<br />
Fourth, where the king has to fight against the rising<br />
Barons. The " four Pillars of Government " are<br />
spoken of; in Henry<br />
the Sixth "Pillars of the<br />
State " is the term used, both terms meaning the<br />
chief Counsellors of the King. Among the new<br />
additions<br />
to the last edition we find another " Spearsimile<br />
" :<br />
Surely, Princes had need, in tender Matters, and Ticklish<br />
Times, to beware what they say ; Especially in these short<br />
Speeches, which flie abroad like Darts, and are thought to be<br />
shot out of their secret Intentions.