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FRANCIS BACON'S CRYPTIC RHYMES 103<br />
desiring it might be defaced ;<br />
Who said to him, Why,<br />
you know very we/l,<br />
I have pow'r to deliver a soul out of purgatory,<br />
but not out of hell.<br />
In rhythm and rhyme this point resembles the poem<br />
"The world's a bubble," iambic verses of five feet<br />
alternating with those of two feet, only here in this case<br />
a long line rhymes to a long line, a short line to a short<br />
line. After each rhyme there is a comma, indicating<br />
the pause.<br />
Ethelwold, Bishop of Winchester, in a famine, sold all the<br />
rich vessels and ornaments of the Church, to relieve the poor<br />
with bread ;<br />
and said, There was no reason that the dead<br />
temples of God should be sumptuously furnished, and the<br />
living temples suffer penury.<br />
The comparison reminds us of the passage in Hamlet,<br />
in which the body<br />
is called the "temple " of the soul.<br />
These beautiful words are rhymed throughout. Trans<br />
lated into verse, they would run thus :<br />
Ethelze/o/^,<br />
Bishop of Winchester, in a famine, sold,<br />
all the rich vessels and ornaments of the Church,<br />
to relieve the poor with bread; and said,<br />
There was no reason that the dead<br />
temples of God should be sumptuous/y<br />
fournis/W,<br />
and the living temples suffer penury.<br />
Bacon at once follows up the name of the worthy<br />
Bishop with a rhyme, succeeded by lines of perfect<br />
rhythm, embellished with internal and final rhymes :<br />
"bread-said-dead-furnished'" (this<br />
final syllable is<br />
frequently emphasised in the Plays); on the other hand :<br />
"<br />
be-sumptuously-penury."<br />
The poetic form given