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FRANCIS BACON'S CRYPTIC RHYMES 117<br />

Sir Walter Ralegh'<br />

was wont to say<br />

of the ladies of Queen Elizabeth's privy-chamber and<br />

bed-chamber ;<br />

That they were like witches ;<br />

do hurt, but they could do no good.<br />

they could<br />

Must we not presume that a then current word with<br />

a more salient point coined on the ladies in attendance<br />

upon the Queen has here been carefully suppressed ?<br />

Surely the ladies described as but little amiable, in<br />

attendance at a Royal Court so addicted to witticisms<br />

and where each had a nick-name, were known by<br />

some pet name that rhymed to " say "<br />

or to " witches."<br />

In the short account of the torture suffered by<br />

King Edward II., there is a passage which most<br />

decidedly calls for a slight change of metre and<br />

rhyme.<br />

When King Edward the Second was amongst his torturers,<br />

who hurried him to and fro, that no man should know where<br />

he was, they set him down upon a bank : and one time, the<br />

more to disguise his face, shaved him, and washed him with<br />

cold water of a ditch by : The King said ; Well, yet I will<br />

have warm water for my beard. And so shed abundance of<br />

tears.<br />

The excellent form and the style of this deeply<br />

serious anecdote correspond to those of the tragedy of<br />

Edward the Second, written in genuine Shakespearetone.<br />

The line "who hurried him to and. fro, that no<br />

man should know" describing the manner in which<br />

the wretched king<br />

is driven to and fro, with its five<br />

doleful O-sounds expressive of pain, is<br />

tremendously<br />

powerful and We effective. need only turn to the<br />

scene (v. 3) in the drama bearing Marlowe's name,

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