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FRANCIS BACON'S CRYPTIC RHYMES 117<br />
Sir Walter Ralegh'<br />
was wont to say<br />
of the ladies of Queen Elizabeth's privy-chamber and<br />
bed-chamber ;<br />
That they were like witches ;<br />
do hurt, but they could do no good.<br />
they could<br />
Must we not presume that a then current word with<br />
a more salient point coined on the ladies in attendance<br />
upon the Queen has here been carefully suppressed ?<br />
Surely the ladies described as but little amiable, in<br />
attendance at a Royal Court so addicted to witticisms<br />
and where each had a nick-name, were known by<br />
some pet name that rhymed to " say "<br />
or to " witches."<br />
In the short account of the torture suffered by<br />
King Edward II., there is a passage which most<br />
decidedly calls for a slight change of metre and<br />
rhyme.<br />
When King Edward the Second was amongst his torturers,<br />
who hurried him to and fro, that no man should know where<br />
he was, they set him down upon a bank : and one time, the<br />
more to disguise his face, shaved him, and washed him with<br />
cold water of a ditch by : The King said ; Well, yet I will<br />
have warm water for my beard. And so shed abundance of<br />
tears.<br />
The excellent form and the style of this deeply<br />
serious anecdote correspond to those of the tragedy of<br />
Edward the Second, written in genuine Shakespearetone.<br />
The line "who hurried him to and. fro, that no<br />
man should know" describing the manner in which<br />
the wretched king<br />
is driven to and fro, with its five<br />
doleful O-sounds expressive of pain, is<br />
tremendously<br />
powerful and We effective. need only turn to the<br />
scene (v. 3) in the drama bearing Marlowe's name,