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FRANCIS BACON'S CRYPTIC RHYMES 57<br />

This is followed immediately by the ensuing<br />

dialogue between Berowne and the French courtier<br />

Boyet :<br />

BEROWNE.<br />

What's her name in the cap ?<br />

BOYET.<br />

Rosaline, by good hap.<br />

BEROWNE.<br />

Is she wedded or no ?<br />

BOYET.<br />

To her will, sir, or so.<br />

BEROWNE.<br />

You are welcome, sir :<br />

adieu.<br />

BOYET.<br />

Farewell to me, sir, and welcome to you.<br />

[Exit BEROWNE.]<br />

At times the poet's delight in rhyming is displayed<br />

in a series of<br />

homophone rhymes. When Oberon,<br />

in A Midsummer- Nighfs Dream,<br />

king of the fairies,<br />

drops the magic juice of the flower upon the eye-lids<br />

of sleeping Demetrius (iii. 2),<br />

we hear him utter eight<br />

verses all<br />

rhyming to the same sound :<br />

Flower of this purple dye,<br />

Hit with Cupid's archery,<br />

Sink in apple of his eye !<br />

When his love he doth espy,<br />

Let her shine as gloriously,<br />

As the Venus of the sky.<br />

When thou wak'st, if she be by,<br />

Beg of her for remedy.<br />

This is<br />

translated by Schlegel (who omits the rhyme<br />

on " ein " in the seventh and eighth lines), thus :

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