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FRANCIS BACON'S CRYPTIC RHYMES 61<br />

each other and across, while the intervening words are<br />

repeated in the second line. After " Be " and after<br />

"See" there must be a pause; so that the original<br />

verses might be written in four lines, thus :<br />

Be<br />

As thou wast wont to be ;<br />

See<br />

As thou wast wont to see.<br />

In Bacon's prose-rhymes we shall also find instances<br />

of one-syllabled lines rhyming together<br />

or with others.<br />

How many a reader has hitherto (like the author)<br />

allowed such instances of euphony and " thoughts that<br />

breathe and words that burn " or sparkle<br />

with wit, to<br />

escape his eye and ear when reading those Plays<br />

A !<br />

passage about as rich in rhyme as that "/, but<br />

to die, and go we know not where " occurs, for instance,<br />

in the prose text of The Comedy of Errors (iii. i)<br />

:<br />

DROMIO.<br />

Faith, I saw it not ;<br />

but I felt it hot in her breath.<br />

Schlegel-Tieck and even Hertzberg do not appear<br />

to have noticed the rhymes for they simply translate<br />

;<br />

thus :<br />

DROMIO.<br />

Wahrhaftig, ich habe es nicht gesehen.<br />

es heiss in ihrem Atem.<br />

Aber ich fuhlte<br />

And yet the answer of the jovial attendant affords<br />

us a charming instance how the poet could toss about<br />

with rhymes, similarly as is the case in our Nursery<br />

Rhymes and Fables : Faith,<br />

I saw it<br />

not;<br />

but I felt it hot<br />

in her breath.

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