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204 FRANCIS BACON'S CRYPTIC RHYMES Qui de contemnenda Gloria Libros scribunt, Nomen suum inscribunt. (Who while they write books on the despising of fame, even put their names to them.) For such cases, Bacon recommends the interposing of persons, who in their false ambition, in their vain glory accept the post and act as the trumpeters of fame. That the word " Trumpetters " is used with reference to the theatre is a fact everybody will know who remembers that trumpet-signals, blown by the actors from the top of the public theatre, drew the Londoners to the theatre and announced the commencement of the play, just as is done now at Bayreuth and Munich during the Wagner performances. And everything is written in words that touching upon the subject rhyme, and which clearly have reference to the title of the Comedy, Much Ado about Nothing. Else what were the drift of the following passages : According to the French Proverb ; Beaucoup de Bruit, peu de Fruit : Much Bruit, little Fruit. Yet certainly there is Use of this Qualitie (of Vaine-Glory), in Civill Affaires. Where there is an Opinion, and Fame to be created, either of Vertue, or Greatnesse, these Men are good Trumpetters. With the exception of a few lines, which simply clamour for rhyme, all the verses end in perfect rhymes, more than half on the vowel " " i and "uit," fewer on " ers," for " Affaires " forms a perfect rhyme with the final syllable of the word "Trumpetters," and also with "there's." The following verses and rhymes are what Bacon intended us to hear : (Of Vaine-Glory) According to the French Proverb ; (? !)
FRANCIS BACON'S CRYPTIC RHYMES 205 Beaucoup de Bruit, ~\ / French rhymes, peu de Fruit Much Bruit, . } Y repeated in English little Fruit. Yet certain/y there is use of this Quali/z
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UNIVERSITY OF TORONTO LIBRARY ONTAR
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- FRANCIS BACO CRYPTIC RHY AND THE
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would like to express my heartfelt
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II WHAT WAS FRANCIS BACON'S ESTIMAT
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ightful FRANCIS BACON'S CRYPTIC RHY
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Page 248 and 249: APPENDIX TO CHAPTER V TEMPORIS PART
Page 252 and 253: 2 4o FRANCIS BACON'S CRYPTIC RHYMES
Page 262 and 263: EDWIN BORMANN'S WORKS ON BACON-SHAK
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