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FRANCIS BACON'S CRYPTIC RHYMES 199<br />

One of the next Essays winds up<br />

with a similar<br />

volley of rhymes :<br />

For saith Pliny very Wittily In<br />

; commending Another, you<br />

doe your selfe right; For he that you Commend, is either<br />

Superiour to you, in that you Commend, or Inferiour. If he<br />

be Inferiour, if he be to be Commended, you much more : If he<br />

be Superiour, if he be not to be commended, you much lesse.<br />

All is<br />

rhyme (with Bacon, not with Pliny).<br />

The<br />

only lines that do not rhyme are those with the two<br />

contrasting words at the end: "more" and "less."<br />

"<br />

A choice bit of drollery<br />

is afforded us in the line : If<br />

he be Inferiour, if he be to be ... " and its<br />

part.<br />

Here are the lines translated into verse :<br />

For saith Pliny<br />

very Witti/y ;<br />

In commending Another, you doe your selfe right ;<br />

that you Commend, is either Superiour<br />

to you, in that you Commend, or Inferiour.<br />

If he be Inferiour, if he be to be commended,<br />

you much more.<br />

If he be Supenour, if he be not to be commended,<br />

vou much lesse.<br />

counter<br />

For he<br />

Thus we have seen how closely certain Essays are<br />

related to certain dramas in the thoughts and ideas they<br />

express ; we<br />

have seen how other Essays speak of<br />

certain qualities of character which are at once to be<br />

observed in several of the dramas. We saw how<br />

Bacon would translate Latin prose-quotations in<br />

English rhymed verses, in order to obtain his object<br />

;<br />

we have seen the means he employs to render promi<br />

nent certain passages concealed in his own prose text<br />

by couching them in verse form, whenever he wishes<br />

them to refer to a certain piece or person in the plays,<br />

or to the title of a drama. We have seen him in his

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