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FRANCIS BACON'S CRYPTIC RHYMES 199<br />
One of the next Essays winds up<br />
with a similar<br />
volley of rhymes :<br />
For saith Pliny very Wittily In<br />
; commending Another, you<br />
doe your selfe right; For he that you Commend, is either<br />
Superiour to you, in that you Commend, or Inferiour. If he<br />
be Inferiour, if he be to be Commended, you much more : If he<br />
be Superiour, if he be not to be commended, you much lesse.<br />
All is<br />
rhyme (with Bacon, not with Pliny).<br />
The<br />
only lines that do not rhyme are those with the two<br />
contrasting words at the end: "more" and "less."<br />
"<br />
A choice bit of drollery<br />
is afforded us in the line : If<br />
he be Inferiour, if he be to be ... " and its<br />
part.<br />
Here are the lines translated into verse :<br />
For saith Pliny<br />
very Witti/y ;<br />
In commending Another, you doe your selfe right ;<br />
that you Commend, is either Superiour<br />
to you, in that you Commend, or Inferiour.<br />
If he be Inferiour, if he be to be commended,<br />
you much more.<br />
If he be Supenour, if he be not to be commended,<br />
vou much lesse.<br />
counter<br />
For he<br />
Thus we have seen how closely certain Essays are<br />
related to certain dramas in the thoughts and ideas they<br />
express ; we<br />
have seen how other Essays speak of<br />
certain qualities of character which are at once to be<br />
observed in several of the dramas. We saw how<br />
Bacon would translate Latin prose-quotations in<br />
English rhymed verses, in order to obtain his object<br />
;<br />
we have seen the means he employs to render promi<br />
nent certain passages concealed in his own prose text<br />
by couching them in verse form, whenever he wishes<br />
them to refer to a certain piece or person in the plays,<br />
or to the title of a drama. We have seen him in his