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FRANCIS BACON'S CRYPTIC RHYMES<br />
in<br />
attention. The rhymes<br />
"<br />
prizes-merchandize, is-<br />
Greece " are of a lighter kind, but none the less<br />
permissible in a humorous poem. There is almost a<br />
superabundance of rhyme<br />
in the four final verses. The<br />
meaningless term " of all sorts " so unsuited to Bacon's<br />
style of writing, sounds almost like a printer's error,<br />
the more so, since the ear has been led to expect a<br />
rhyme to the word " merry." Why not substitute<br />
"<br />
hurry," which in those ;days, did not signify haste<br />
alone, but " bustle " (noisy crowd) ? From line to line<br />
we have the repeated rhymes "meet-great," " friendsconfluence"<br />
and " merry-hurry "(?), the whole finishing<br />
up with a perfect volley of rhymes :<br />
Others come<br />
only to look on.<br />
I am one<br />
of them<br />
that come<br />
to look on.<br />
May be the rhymes "come-them-come" sound some<br />
what old-fashioned, but they are none the worse for<br />
that, and as permissible as the perfect rhymes " onone-on."<br />
Nor must we attribute it to accident that<br />
Bacon chose to pour forth such an abundance of<br />
rhyme in this anecdote in which the Philosopher treats<br />
of " Plays " for the stage.<br />
The anecdote in which words are combined to recall<br />
the name of a well-known Play, is treated similarly.<br />
I mean the words " Much Ado."<br />
The Turk made an expedition into Persia, and because of the<br />
strait jaws of the mountains of Armenia, the<br />
which way they should get in.<br />
basha's consulted<br />
Says a natural fool that stood