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8 FRANCIS BACON'S CRYPTIC RHYMES O Lord, And e'er as my worldly blessings were exalted, so secret darts from thee have pierced me ; and when I have ascended before men, I have descen ded in huw/liation before thee. Up to the word " exalted," we must treat the lines as a preparatory introduction, so to speak. But, from the words: "so secret darts," an abundance of perfect rhymes sets in to a rhythm of unexcelled elasticity, and so moulded to the ideas conveyed by the words, as to excite our admiration, while it were difficult to find a passage in literature excelling it. The conclud ing long line with its internal rhymes, commencing at : " I have descended," may be said to describe in melli fluous tones the self-humiliation of the erstwhile exalted one, whose heart, once filled with worldly thought and pride, now humbly bows in the dust in prayer. If we emphasise all the inner-rhymes, the principal passage would assume this form : so se cret darts from thee have pierced me; and when I have ascen ded before men, I have descen nation be fore thee. ded in huim- three - rhymes on a long e. four rhymes on "en." two rhymes on a short i. \ fourth rhyme on a long e. We may quote a short passage from the Shake speare dramas, to prove that exactly similar instances
FRANCIS BACON'S CRYPTIC RHYMES 9 occur in those poetic works ; thus in Measure for Measure (iii. i), in which Isabella persuades her young brother to brave death, as no dther choice is left. The whole scene appears to be without rhyme, and the greater part is written in iambic verses of five feet. And yet (I am not aware that any one else has ever noticed, or remarked upon, the fact) in the passage where Claudio shows a childlike, natural fear of death, there occur a number of charming internal rhymes : CLAUDIO. Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot. . . . The exclamation " Ay," is pronounced and printed " " I in the original. The speaker is supposed to utter the words with a trembling voice, so that all the rhymes shall be heard : but to die, and go we know not where ; to lie in cold obstruction, and to rot ... If the former are "curiously rhymed " psalm-verses, these are "curiously rhymed" stage-verses. They the former bear resemble each other as brothers do ; ing the name of Bacon, the latter the name of Shakespeare. Tieck translated the beautiful words leaving out the rhyme : Ja ! aber sterben ! Gehn wer weiss, wohin Zu liegen, kalt und starr, und zu verwesen . . . >/t^ . *"c
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VII THE RHYMES IN FRANCIS BACON'S P
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FRANCIS BACON'S CRYPTIC RHYMES in a
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IX FRANCIS BACON'S ESSAY-RHYMES, AN
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1 63 been hurling darts of sharpest
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To take the saft'st occasion by the
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which rhyme : It is generally bette
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2i 8 FRANCIS BACON'S CRYPTIC RHYMES
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APPENDIX TO CHAPTER V TEMPORIS PART
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2 4o FRANCIS BACON'S CRYPTIC RHYMES
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EDWIN BORMANN'S WORKS ON BACON-SHAK
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JAN
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