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58 FRANCIS BACON'S CRYPTIC RHYMES<br />

Blume mit dem Purpurschein,<br />

Die Kupidos Pfeile weihn,<br />

Senk dich in sein Aug' hinein.<br />

Wenn er sieht sein Liebchen fein,<br />

Dass sie glorreich ihm erschein',<br />

Wie Cyther' im Sternenreihn.<br />

Wachst du auf, wenn sie dabei,<br />

Bitte, dass sie hilfreich sei.<br />

The above verses resemble the love-poem to<br />

Rosalind in As you like it, iii. 2 :<br />

From the east to western Ind,<br />

No jewel<br />

is like Rosalind.<br />

Her worth being mounted on the wind,<br />

Through all the world bears Rosalind.<br />

All the pictures fairest lin'd<br />

Are but black to Rosalind.<br />

Let no face be kept in mind<br />

But the face of Rosalind.<br />

We would also refer the readers to the verses<br />

contained in the three caskets in The Merchant of<br />

Venice, which lines rhyme in the same manner.<br />

But not only in verses written in stanza-form or in<br />

long rhyming lines of equal length does the poet<br />

display the delight he takes in rhyming, but also in<br />

short snatches, the charm of which is enhanced by the<br />

recurrence of internal rhymes.<br />

We have noticed the telling effect produced by this<br />

manner of rhyme in lines of a serious character, for<br />

instance, in the words uttered by Claudio in Measure<br />

for Measure-. "/, but to die and go we know not<br />

where, To lie. . . ."<br />

Similar instances occur still more frequently in the<br />

comedies; thus in Loves Labours Lost (iv. i),<br />

the<br />

verses may be said to run in and out :

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