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58 FRANCIS BACON'S CRYPTIC RHYMES<br />
Blume mit dem Purpurschein,<br />
Die Kupidos Pfeile weihn,<br />
Senk dich in sein Aug' hinein.<br />
Wenn er sieht sein Liebchen fein,<br />
Dass sie glorreich ihm erschein',<br />
Wie Cyther' im Sternenreihn.<br />
Wachst du auf, wenn sie dabei,<br />
Bitte, dass sie hilfreich sei.<br />
The above verses resemble the love-poem to<br />
Rosalind in As you like it, iii. 2 :<br />
From the east to western Ind,<br />
No jewel<br />
is like Rosalind.<br />
Her worth being mounted on the wind,<br />
Through all the world bears Rosalind.<br />
All the pictures fairest lin'd<br />
Are but black to Rosalind.<br />
Let no face be kept in mind<br />
But the face of Rosalind.<br />
We would also refer the readers to the verses<br />
contained in the three caskets in The Merchant of<br />
Venice, which lines rhyme in the same manner.<br />
But not only in verses written in stanza-form or in<br />
long rhyming lines of equal length does the poet<br />
display the delight he takes in rhyming, but also in<br />
short snatches, the charm of which is enhanced by the<br />
recurrence of internal rhymes.<br />
We have noticed the telling effect produced by this<br />
manner of rhyme in lines of a serious character, for<br />
instance, in the words uttered by Claudio in Measure<br />
for Measure-. "/, but to die and go we know not<br />
where, To lie. . . ."<br />
Similar instances occur still more frequently in the<br />
comedies; thus in Loves Labours Lost (iv. i),<br />
the<br />
verses may be said to run in and out :