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56 FRANCIS BACON'S CRYPTIC RHYMES<br />

My soul is in the sky :<br />

Tongue, lose thy light ;<br />

Moone, take thy flight :<br />

[Evit Moonshine.']<br />

Now die, die, die, die, die.<br />

\_Dies.~\<br />

These are all pure rhymes, "pap-hop "being chosen<br />

on purpose on account of its extravagance, enhanced<br />

by the words being wedded to rhyme.<br />

But not only to express the coarse jest of the artisan<br />

is the it<br />

rhyme employed,<br />

is also used in the most<br />

dashing conversational tone. We need but recall<br />

the scene in Love's Labours Lost (ii. 2)<br />

in which<br />

Berowne<br />

" "<br />

(spelt Biron in modern editions) speaks to<br />

his beloved Rosaline of his love-sick heart. We hear<br />

the witty elegant courtier bartering word and rhyme<br />

with the maid of honour :<br />

Alack, let it blood.<br />

ROSALINE.<br />

BEROWNE.<br />

Would that do good ?<br />

ROSALINE.<br />

My physic says ay.<br />

BEROWNE.<br />

Will you prick't with your eye ?<br />

ROSALINE.<br />

No point, with my knife.<br />

BEROWNE.<br />

Now, God save thy life.<br />

ROSALINE.<br />

And yours from long living<br />

!<br />

I<br />

BEROWNE.<br />

cannot stay thanksgiving.

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