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102 FRANCIS BACON'S CRYPTIC RHYMES<br />
Mr. Savill was asked by my lord of Essex his opinion<br />
touching poets ;<br />
who answered my lord ; He thought them the<br />
best writers, next to those that write prose.<br />
The point shows a short rhyme :<br />
next to those<br />
that write prose.<br />
Prose-writers thus ranked above poets<br />
;<br />
but the<br />
praise of the prose-writers is expressed in poetic form,<br />
i.e.,<br />
in a rhyme.<br />
Antalcidas, when an Athenian said to him ;<br />
Ye Spartans are<br />
unlearned said ; again ; True, lor we have learned no evil nor<br />
vice of you.<br />
In the first part of this sentence a few rhymes may<br />
be detected ;<br />
but the humorous reply of the Spartan<br />
(printed in italics in the original) again is in flowing<br />
rhythm and rhyme<br />
:<br />
True,<br />
for we have learn 'd no evil nor vice of you.<br />
Or we might write it thus :<br />
True, for we have learn'd no evil nor vice of you.<br />
This is a sort of what in<br />
Poesy" Puttenham calls " Echo sound."<br />
" The Arte of English<br />
Michael Angelo, the famous painter, painting in the Pope's<br />
chapel the portraiture of hell and damned souls, made one of<br />
the damned souls so like a Cardinal that was his enemy, as<br />
everybody at first sight knew it.<br />
Whereupon<br />
the Cardinal<br />
complained to Pope Clement, desiring it might be defaced ;<br />
Who said to him, Why, you know very well, I have power to<br />
deliver a soul out of purgatory, but not out of hell.<br />
The answer of the Pope Bacon again puts into<br />
rhymed verse, the rhyme beginning with the very first<br />
word spoken, on " Why " :