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FRANCIS BACON'S CRYPTIC RHYMES 167<br />

on so sublime a subject<br />

!<br />

"<br />

they exclaim. And the<br />

Anti-Baconites have even tried to prove, by means of<br />

this one Essay, what a prosaic fellow Bacon was, and<br />

that he could not possibly be the poet that had written<br />

the Shakespeare works. And yet this very Essay it<br />

is which proves to us that he was the author of the<br />

Shakespeare drama, Anthony and Cleopatra.<br />

The<br />

Essay begins :<br />

The Stage<br />

is more beholding to Love, then the Life of Man.<br />

For as to the Stage, Love is ever matter of Comedies, and now<br />

and then of Tragedies : But in Life,<br />

it doth much mischiefe :<br />

Sometimes like a Syren ;<br />

Sometimes like a Fury.<br />

Is not that as clear a statement as it is possible to<br />

make that the Essay is to treat of stage-love ? Do<br />

not the words " Syren " and " Fury " indicate that not<br />

the sweet, blissful love of woman is to be the subject<br />

to be dealt with, but rather hyper-passionate, sensual<br />

love ?<br />

And does not all that is said of comedy and<br />

tragedy agree in every respect with the spirit of the<br />

Shakespeare Plays ? In every one of the Shake<br />

speare comedies love plays a principal part.<br />

Whereas<br />

in the tragedies love only now and then has the lead<br />

ing word. There are really only two true love<br />

tragedies written by the great Briton, Romeo and<br />

Juliet and Anthony and Cleopatra.<br />

Again, the opening lines we have just quoted of the<br />

Essay are immediately followed up by the name of<br />

" Marcus Antonius," that same " Antonius, Anthony "<br />

who is the hero of the love-tragedy.<br />

The name had<br />

not been added to the Essay, which was printed pre<br />

viously, until 1625 ;<br />

another proof that the last edition

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