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FRANCIS BACON'S CRYPTIC RHYMES 167<br />
on so sublime a subject<br />
!<br />
"<br />
they exclaim. And the<br />
Anti-Baconites have even tried to prove, by means of<br />
this one Essay, what a prosaic fellow Bacon was, and<br />
that he could not possibly be the poet that had written<br />
the Shakespeare works. And yet this very Essay it<br />
is which proves to us that he was the author of the<br />
Shakespeare drama, Anthony and Cleopatra.<br />
The<br />
Essay begins :<br />
The Stage<br />
is more beholding to Love, then the Life of Man.<br />
For as to the Stage, Love is ever matter of Comedies, and now<br />
and then of Tragedies : But in Life,<br />
it doth much mischiefe :<br />
Sometimes like a Syren ;<br />
Sometimes like a Fury.<br />
Is not that as clear a statement as it is possible to<br />
make that the Essay is to treat of stage-love ? Do<br />
not the words " Syren " and " Fury " indicate that not<br />
the sweet, blissful love of woman is to be the subject<br />
to be dealt with, but rather hyper-passionate, sensual<br />
love ?<br />
And does not all that is said of comedy and<br />
tragedy agree in every respect with the spirit of the<br />
Shakespeare Plays ? In every one of the Shake<br />
speare comedies love plays a principal part.<br />
Whereas<br />
in the tragedies love only now and then has the lead<br />
ing word. There are really only two true love<br />
tragedies written by the great Briton, Romeo and<br />
Juliet and Anthony and Cleopatra.<br />
Again, the opening lines we have just quoted of the<br />
Essay are immediately followed up by the name of<br />
" Marcus Antonius," that same " Antonius, Anthony "<br />
who is the hero of the love-tragedy.<br />
The name had<br />
not been added to the Essay, which was printed pre<br />
viously, until 1625 ;<br />
another proof that the last edition