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Step by step: Build your own monster Frankenstein’s Monster 2009 My primary goal was to create a portrait that would have some sort of impact on the viewer Anto Juricic specialises in character modelling and texturing T he saying ‘a picture is worth a thousand words’ was my primary guideline on this project and I hope this image can say a few words. It was a big challenge for me at that time to overcome technical challenges because this was one of my first Maya projects, but even more challenging was to create something that would touch the viewer. I have always wanted to model Frankenstein’s monster because he’s a classic character with such a strong story, so this was a great opportunity. Many great <strong>art</strong>ists have done their versions of this subject and they did great work, which makes my job more difficult. I thought the best way to reach the viewer was through facial expression and the look of his eyes that would tell the story about a sad, lonely monster. With that in mind, I planned how to achieve my goal. The first thing was to split all the work into different tasks: sculpting a base mesh, retopology, making a high-definition sculpt with new clean topology, making clothes, posing, unwrapping, texturing, lighting, rendering and, finally, compositing. Concepts Inspiration behind the scene With every personal project I do, 01 I am trying to learn something new through creation rather than using the same workflow over again. This time I decided to take a more <strong>art</strong>istic approach and use digital sculpting as much as I could. The quickest way for me was to make a simple ZSphere bust model in ZBrush. After extending a few spheres from the 02 central one to shape the shoulders, neck and face, I converted the ZSpheres to geometry. This made my first base mesh, which I would use for sculpting a generic human bust. The best tool for shaping geometry at this stage is the Move brush, and for higher levels I mostly used the Clay Tubes brush. After making the basic bust shape, the next 03 task was to make a new topology that I could use later for texturing and rendering in Maya. I used ZBrush retopology tools for the task and reshaped the new topology to create the overall monster shape. 120
Character Save yourself some modelling time by using the ZBrush model and maps. Franky posed.ZTL Easy-to-follow guides take you from concept to the final render Artist info Anto Juricic Sculpting, modelling, lighting Maya Personal portfolio site anto-toni.cgsociety.org Country Bosnia and Herzegovina Hardware used Dual core 2.21GHz, 2GB RAM Expertise Anto specialises in character modelling and texturing Software used in this piece ZBrush Silo Photoshop UVLayout 121
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Maya • 3ds Max • Photoshop •
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3D art &design Imagine Publishing L
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102 SUBSCRIBE TO 3D ARTIST MAGAZINE
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