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Creating a savage warrior Warrior 2010 How to create a warrior from a distant land with realistically exaggerated forms and brutal weapons, inspired by the style of Frank Frazetta John Hayes is a videogame character artist Part one: Modelling, UV layout, sculpting Often the best looking characters comprise not only good modelling, but also sound textures and rendering. Indeed, the final step can be the most critical, though it depends upon a strong base model. We will start with the concept and reference image collage to help create the personality, anatomy and costume detail. Concept art is often only used for the inspirational direction of the character, but it’s helpful to have lots of photo references. A good place to find additional The base shape Creating the basic torso free stock reference images is www.deviantart. com. Be sure to get a few anatomy photos as they’ll help make the character more convincing. The process I will be using is called ‘box modelling’, which allows for the overall form of the character to be rapidly created and then refined by several additional passes. Each subsequent pass will develop the overall volume and add detail where it is needed. At the same time, I will add polygons and edge loops for an even quad polygon distribution (except for the face and hands, which will consist of a greater amount of polygons). I will be using modo for much of the tutorial since I find its integrated modelling, sculpting and UV layout tools essential in speeding up the process. Finally I will use ZBrush to create the high-resolution detail model that will be used as a source for rendered textures. Part two of this guide will focus on creating textures and posing the model in Maya and modo and will finish with lighting and rendering in modo. 80 ● a 01 The base shape The character should face along the positive Z with the head in the positive Y direction. Start with a basic cube wider at the top than the bottom. It should be three polygon rows wide and three rows high. The middle row should be central to the X axis. This will form the basic torso A. A The side profile should suggest the waist and the side vertical cube rows are thinner in the middle B Angle the top and bottom of the cube to form the shoulder/trapezius and the crotch/buttock b 02 Tackle the torso Adjust the side poly of the top row; where the arm comes out should be roughly square. The leg polygons at the bottom should also be roughly square with a smaller gap for the crotch. The arm and leg base polygons should be angled outward between 20-45 degrees B.
Character The final non-posed modo character model and the final ZBrush ZTool. Stock images used for reference and textures: For the body skin texture: http://senshistock.deviantart. com/journal/12576734/ For Anatomy Reference Photos: http://mjranum-stock. deviantart.com/ and http://vishstudio. deviantart.com 3D artists explain the techniques behind their amazing artwork Artist info John Hayes Username: John-Hayes Personal portfolio site http://john-hayes.cghub.com Country USA Software used modo 401, ZBrush 3 Expertise Videogame character artist Software used in this piece modo Maya ZBrush Photoshop 81
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