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a 124 I enjoyed modelling characters much more than environments or props, and I gradually improved to go on to be a character specialist at everywhere I have worked since
Character We talk to Andrew Hickinbottom, a lucky-in-freelance character modeller currently getting creative under the bright city lights of London b Perfect pinups My predominantly pinup-themed personal work is an outlet for when I want to create something easy on the eye and different to most of the work I get paid to do Andrew Hickinbottom is a freelance character modeller Name Andrew Hickinbottom Job title Character modeller Personal website http://andyh.cgsociety.org http://andyh.cghub.com Location UK Expertise Characters Software 3ds Max Client list Coca-Cola, International Olympic Committee, Comcast, Panasonic, SEAT, Imagination Games, Actimel, Haven Holidays All images © Andrew Hickinbottom A Suzie Kickin’ Back is an illustration of my Suzie character lazing about b Bunny Girl is one of my most successful personal pieces to date Andrew Hickinbottom recently made the big move to London, and things are looking up. With so many major production companies in the big city, he’s always bumping into people who’ve been working on high-profile projects that he’s long admired, which makes life a lot more exciting and has, in turn, given his art a new lease of life. With a lot more work going around in London compared to back in his hometown in the Midlands, he is currently freelancing as a character modeller for regular clients, such as Nexus Productions, where he models, UVs and occasionally textures characters. Before, he worked remotely from Birmingham – the move means he can now work on site, and be inspired by all the capital has to offer the 3D artist! How did the contract at Nexus come about – can you tell us more about the projects you’ve been involved with there? Andrew Hickinbottom: One of the 3D leads had been trying to get me to work with them for some time after seeing my stuff on the internet. I did some character modelling on a Coca-Cola advert a few years ago, then an Olympic Committee ad, and now they are regular clients. Nexus does work for advertising mainly, but has done title sequences for TV and film, music videos and short films as well. The company has a large collective of award-winning directors and can produce content in differing styles: 3D, 2D, live action, stop motion, etc. You worked on a high-profile project at the London-based Superfad in December. Can you tell us more about that? AH: They needed me to create a stylised likeness of Shakira for a SEAT car advert. Getting Shakira’s likeness, and the overall level of stylisation approved was tricky. I liked the end result, but after all that work, you only saw her for a few seconds, and somewhat small on the screen – I guess it’s because there was just so much crammed into the advert and my character was just a small part of it. Have you worked in any other cities, either here in the UK or abroad? AH: I did a small job in Valencia for a month in January, which was nice – that’s the farthest I’ve travelled for a job. Some work in Japan would be good though! As a freelance artist, how do you find work? Do you find it or does it come to you? AH: I’m quite fortunate: virtually every freelance job I have done has landed in my lap. I have yet to chase down ideal clients. It’s something I intend to do in the future. b 125
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Maya • 3ds Max • Photoshop •
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3D art &design Imagine Publishing L
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102 SUBSCRIBE TO 3D ARTIST MAGAZINE
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Environment When I started work on
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d Cosmic Motors Camarudo Mono Sport
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Transport Texturing Adding the dirt
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Transport Compositing in Photoshop
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Transport Getting the overall look
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Transport Now we need a 04 standard
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With my lighting I used the new SLI
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Transport To create the notion of s
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About the mag The UK’s best 3D ma
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Photoshop Image Editing vol 1 Impro
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