3d art

The House in
Switzerland
The House in Switzerland is
a project that we loved and
enjoyed throughout the
production process. From
the exchange of ideas with
our client came the goal of
creating a warm mood using
the wood as a motivator of
the scene.
There are specific design
elements that were
modelled exclusively for the
scene, which help to
enhance the atmosphere in
this image. We wanted to
convey the cold
contemplated from a warm
place using multiple items
such as wood that
symbolises the warmth and
serenity; also fire and the
stove that further reinforce a
pleasant atmosphere.
Postproduction was the
most important stage to
generate this space, since
colour corrections, contrasts
and effects allow us to
illustrate the idea of the
desired space.
We had a good impact abroad and good
reviews of our work for the time the studio
has been open
F
LL: There are three people who work at
Kuan full time, and we all participate in all
the stages of creation. If there’s a bigger
project or we have several projects at once,
we hire external contractors.
Can you give us some idea of the actual
production pipeline for producing an image
or set of images for a client?
LL: We want our customers to feel at ease
and comfortable. This working
methodology is based on practicality and
efficiency to achieve the best results in a
timely manner. It starts with the modelling
process, where we send previews to the
client to make the necessary corrections to
get the best result in the final product. Once
the previous images are approved, we begin
the final rendering of images and/or videos.
What kind of work have you been doing
recently in the animation and product
visualisation fields?
LL: In the visualisation of products, we have
been commissioned for modelling and
rendering a catalogue of bathroom artifacts
in Barcelona, Spain. Also, we are in
preproduction stage for an independent 3D
animation film.
The building and visualisation industries
have both been affected by the global
recession. Has your country and your type
of work been affected as well?
LL: We are a new studio so we have not felt
the crisis as others may have, and we had a
good impact abroad and good reviews of our
work for the time the studio has been open.
What are your plans and ambitions for the
company in the future?
LL: Our plans and ambitions are to continue
growing on a worldwide scale and enlarge
our clients’ portfolio, and to grow as an
architectural visualisation and
postproduction studio.
G
F House
“Cooking and living
with style in San
Sebastian, Panama”
G Bridges Building
“Modern style of living
in San Francisco”
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