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Step by step: Lighting the Silver Arrow 240 Mercedes Benz W154 2009 Learn how to dramatically pose and light a 1938 Mercedes Benz W154 racing car to make this – and all your future vehicle projects – really shine Djordje Jovanovic 3D artist In this tutorial, you will discover the best workflow for creating your own virtual studio environment for lighting a reflective industrial model – in this case a 1938 Mercedes Benz W154 racing car. The studio is made up of a light setup which consists of two different light sources, custom reflection cards and a background/ base. 3ds Max is our main app with a V-Ray plug-in used as the renderer. We will be using a standard VRayLight as our main (diffuse) light source, then adding a few standard Omni lights and assigning them to our custom reflection cards. We can use this combination to accurately place reflections and separately control the intensities for diffuse lighting and reflections. In postproduction, you can use Photoshop to add some depth of field (DOF) to the image and do some colour correction. The major advantages of this setup is that the diffuse light and reflections have separate controls and the whole thing can be set up fairly quickly. The major difficulty will be the placement of the reflection cards because it can take some time to find the spots where reflections will be most effective. I found some interesting studio images and light setups on the internet that I’d never tried before; these are always good for inspiration or to use as reference. Similar inspirational images are shown in Steps 1-3. Software used in this piece 3ds Max V-Ray Photoshop Inspirations Find a cool concept This image provided some ideas for the overall 01 mood I was looking for. I liked the relationship of the car’s semi-reflective surface with the dark background in terms of contrast. The position of the main light source, directly over the car, which created a big shadow also appealed to me.
Transport Lighting, rendering © Porsche AG Easy-to-follow guides take you from concept to the final render Artist info Djordje Jovanovic I liked the reflective properties of the car paint 02 surface in this image and, similarly, the colour of the paint. I also liked the intensity of the reflections, the level of glossiness and overall gradients across the whole surface as well as the diffuse light in the scene. Almost symmetrical reflections were a fairly 03 obvious choice considering the camera position. I did the frontal view like this image, but I wanted to go with an even wider lens – closer to the car – in order to accentuate the Silver Arrow’s front grille and the wheels. Personal portfolio site djordjejovanovic.com/blog Country Serbia Software used 3ds Max, V-Ray, Photoshop Expertise Hard-surface and environment modelling, texturing and lighting 241
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