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Agilent Spectrum Analysis Basics - Agilent Technologies

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Let’s assume that we have some idea of the characteristics of our signal,<br />

but we do not know its exact frequency. How do we determine which is the<br />

real signal? The image-shift process retunes the LO fundamental frequency<br />

by an amount equal to 2f IF /N. This causes the Nth harmonic to shift by 2f IF .<br />

If we are tuned to a real signal, its corresponding pair will now appear at the<br />

same position on screen that the real signal occupied in the first sweep. If we<br />

are tuned to another multiple pair created by some other incorrect harmonic,<br />

the signal will appear to shift in frequency on the display. The ESA spectrum<br />

analyzer shifts the LO on alternate sweeps, creating the two displays shown<br />

in Figures 7-17a and 7-17b. In Figure 7-17a, the real signal (the 14 – mixing<br />

product) is tuned to the center of the screen. Figure 7-17b shows how the<br />

image shift function moves the corresponding pair (the 14 + mixing product)<br />

to the center of the screen.<br />

Figure 7-17a. 14 – centered<br />

Figure 7-17b. 14 + centered<br />

Figure 7-17. Alternate sweeps taken with the image shift function<br />

Let’s examine the second method of signal identification, called image<br />

suppression. In this mode, two sweeps are taken using the MIN HOLD<br />

function, which saves the smaller value of each display point, or bucket,<br />

from the two sweeps. The first sweep is done using normal LO tuning values.<br />

The second sweep offsets the LO fundamental frequency by 2f IF /N. As we<br />

saw in the first signal ID method, the image product generated by the correct<br />

harmonic will land at the same point on the display as the real signal did<br />

on the first sweep. Therefore, the trace retains a high amplitude value. Any<br />

false response that shifts in frequency will have its trace data replaced by<br />

a lower value. Thus, all image and incorrect multiple responses will appear<br />

as noise. This is shown in Figure 7-18.<br />

100

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