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Chaosophy - autonomous learning

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For this reason, the problem raised is the transformation of<br />

traditional relations of production and other relations-familial,<br />

conjugal, educational, etc ... But if one relaxes the brakes too<br />

abruptly, then it is the machines of desire that risk flying off the<br />

handle, and breaking not only through the outdated frontiers but<br />

even the new ones the system wants to establish. The relations of<br />

production, formation, and reproduction oscillate between immobilist<br />

temptations and archaic fixations. The capitalist "solution"<br />

consists in pushing models that are at once adapted to its imperatives<br />

of standardization-i.e., that dismantle traditional territorialitiesand<br />

that reconstitute an artificial security; in other words, that<br />

modernize the archaisms and inject artificial ones. In conditions<br />

such as these, from the angle of production, the worker will be<br />

deterritorialized; from the angle of relations of production, formation,<br />

and reproduction, he will be reterritorialized.<br />

Cinema, television, and the press have become fundamental<br />

instruments of forming and imposing a dominant reality and<br />

dominant significations. Beyond being means of communication,<br />

of transmitting information, they are instruments of power. They<br />

not only handle messages, but, above all, libidinal energy. The<br />

themes of cinema-its models, its genres, its professional castes, its<br />

mandarins, its stars-are, whether they want to be or not, at the<br />

service of power. And not only insofar as they depend directly on<br />

the financial power machine, but first and foremost, because they<br />

participate in the elaboration and transmission of subjective models.<br />

Presently, the media, for the most part, functions in the service of<br />

repression. But they could become instruments of liberation of great<br />

importance. Commercial cinema, for example, entertains a latent<br />

racism in its Westerns; it can prevent the production of films about<br />

events like those of May '68 in France; but the Super-8 and the<br />

videotape recorder could be turned into means of writing that are<br />

much more direct and much more effective than discourses, pam-<br />

238 :'

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