28.01.2015 Views

Chaosophy - autonomous learning

Chaosophy - autonomous learning

Chaosophy - autonomous learning

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

chair. And yet, his madness, the fact that he has a screw loose, etc.,<br />

is constantly alluded to. For her part, Holly is presented as a steady<br />

girl. For example, she says: ''I'll never let myself get carried away<br />

with another daredevil again." Second negation after madness: love.<br />

We are shown a love story which is totally beyond stereotypes, a<br />

kind of extraordinary schizo love. For example, when Kit has just<br />

lulled Holly's father, she says to him, "Don't worry," and gives him<br />

a small slap that is both nagging and reassuring. Or again when they<br />

flick for the first time, Kit pretends to smash his hand, a typical<br />

schizo act. She tells him: "You're making fun of me, you don't care<br />

how I feel." But his indifference is only apparent; one senses he is so<br />

sure of his love that it never occurs to him to doubt her. It is only at<br />

the end of the film, when she ends up leaving him, that there is this<br />

very beautiful scene in which he angrily threatens to shoot her. But<br />

finally, he makes an imaginary rendezvous with her knowing full<br />

well he'll not see her again.<br />

There are two ways of considering the world of schizo-desire: the<br />

infrapersonal level of desiring-machines-how the world is organized<br />

with systems of intensity of colors, impressions, appearances-and<br />

the suprapersonal level, in direct contact with the socius.<br />

I picked out several elements in these two categories. The<br />

moment when he hits a can of food in the street, the moment<br />

when he's in love, and the moment when he listens to seashells<br />

and sees Holly coming as a white form. All this remains sort of<br />

"normal." But there is also the moment when he shoots at the<br />

fish, or shoots at the balloon, or shoots at the tires, and a series of<br />

completely bizarre behaviors such as the theme of the stones that<br />

one finds throughout the film. There are also explicitly crazy acts,<br />

acts of agony: when he kills Holly's father and puts his body in<br />

the basement, he takes up a toaster that reappears several times in<br />

the film; when he puts Cato's body in a cool place and begins turning<br />

round and round in a sort of military march with completely<br />

248 :'

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!