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196 YORK.<br />

to reconcile every one who had any hand in the<br />

matter.<br />

Archbishop Bowet, Scrope's immediate successor,<br />

is noteworthy as having issued the last indulgence<br />

known on behalf of the fabric fund of the minster.<br />

The work gradually advanced to its completion during<br />

his own occupation of the see, and the respective<br />

episcopates of the prelates who followed him,<br />

Kemp, Booth, and Neville. The munificent offerings<br />

that were made at the tomb of Scrope have already<br />

been mentioned, and the capitular body made large<br />

grants out of their own funds. The choir was already<br />

finished, as also the nave. The stately windows of<br />

the choir transept—if we may apply that term to the<br />

division which they mark between the choir and the<br />

presbytery—rivalling in height the elevation of the<br />

great east window, date from the earlier half of the<br />

fifteenth century. That on the north side, with its<br />

splendid glass, representing the life and miracles of<br />

St. William of York, belongs probably to Bowet's<br />

episcopate (1407-1423). The one on the south<br />

side is later, and is said to have been given by the<br />

executors of Langley, Bishop of Durham, who had<br />

formerly been Dean of York. The life and miracles<br />

Cuthbert are the subjects depicted in its glass,<br />

of St.<br />

through which the sunlight gleams at noontide with<br />

so'much brightness and beauty. After the completion<br />

of nave and choir the next work undertaken was the<br />

re-casing of the great Norman piers of the centre<br />

tower. The masonry of Archbishop Thomas was encased<br />

with Perpendicular stonework, thus giving unity<br />

of effect to the internal aspect of the building.

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