Time&Eternity
Time&Eternity
Time&Eternity
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notes to chapter 3 285<br />
nal cinemas” in which images are transmitted by means of sensory nerves. God’s perception<br />
of world events, on the other hand, must occur more directly. For this reason, Newton<br />
declared all space to be the sensorium Dei (ibid., xvi). The sensorium idea is thus an expression<br />
of an image of God that places the omnipresence of the almighty God in the<br />
forefront.<br />
76. Such summarizing entails risks. Depending upon the interpretation, very diverse<br />
concepts apply. Thus, for example, Achtner, Kunz, and Walter, Dimensions of Time, 111,<br />
speak of Newton’s complete idealization of time, and thereby mean universality,<br />
quantification, and symmetry. Leibniz, on the other hand, condemns Clarke and respectively<br />
Newton, precisely because of a realization of time (Gerhardt, Die philosophischen<br />
Schriften, 363), and characterizes his own relative concept of time as being ideal (415).<br />
77. Newton speaks of the sequence of time segments (Newton, Mathematical Principles,<br />
16).<br />
78. Thus in his third letter, sec. 4, Gerhardt, Die philosophischen Schriften, 363; Alexander,<br />
ed., The Leibniz-Clarke Correspondence, 25f.<br />
79. Examples of accounts of and commentaries on this correspondence: Alexander,<br />
ed., The Leibniz-Clarke Correspondence, ix–lv; Koyré, From the Closed World, 235–72;<br />
Manzke, Ewigkeit und Zeitlichkeit, 86–98.<br />
80. In the following discussion, I refer sometimes to the edition by Gerhardt, Die<br />
philosophischen Schriften, which presents Leibniz’s writings in French and Clarke’s replies in<br />
English, and sometimes to the 1956 Alexander edition, The Leibniz-Clarke Correspondence,<br />
which has an introduction and commentary by Alexander, and which was based on A<br />
COLLECTION OF PAPERS which passed between the late Learned Mr. LEIBNITZ AND<br />
Dr. CLARKE in the years 1715 and 1716 relating to the PRINCIPLES OF NATURAL PHI-<br />
LOSOPHY AND RELIGION With an Appendix, by SAMUEL CLARKE, London, MDC-<br />
CXVII. Here, the original French letters of Leibniz were probably translated into English<br />
by Clarke himself (Koryé, From the Closed World, 300n2). To facilitate the use of various<br />
text editions, in addition to citing page numbers, I have also referenced the letter (L or C<br />
i–v). Although in the body of my study I cite all the passages from the Alexander edition,<br />
I have included in the footnotes some of the French citations when they have seemed more<br />
appropriate.<br />
81. The extent to which Clarke is acting as a direct mouthpiece for Newton (thus<br />
Koyré, From the Closed World, 300n3) or defending or further developing his own understanding<br />
of Newton has not been considered here, for we are not concerned with the person<br />
of Newton, but rather with a debate of an issue.<br />
82. Alexander, ed., The Leibniz-Clarke Correspondence, 11; cf. Gerhardt, Die<br />
philosophischen Schriften, 352 L i: “[p]lusieurs font les ames corporelles, d’autres font Dieu<br />
luy même corporel.”<br />
83. Gerhardt, Die philosophischen Schriften, 352 L I; cf. Alexander, ed., The Leibniz-<br />
Clarke Correspondence, 12: “the beautiful pre-established order.”<br />
84. Alexander, ed., The Leibniz-Clarke Correspondence, 13 C I, sec. 3. In his second response,<br />
Clarke adds that, while the human soul is present to the images of things, God per<br />
se is present to all things without thereby being the soul of the world (intelligentia mundana),<br />
21ff., C ii, sec. 3ff.<br />
85. Ibid., 14 C i, sec. 4.<br />
86. On the history of space theories in physics, cf. Jammer, Concepts of Space.<br />
87. This becomes particularly clear, for example, in Clarke’s second response, in which<br />
he initially admits that he is concerned not only with the power but also with the wisdom<br />
of God as the source of creation; he then, however, continues, “but the wisdom of God<br />
consists, in framing originally the perfect and complete idea of a work, .l.l. by the continu