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Time&Eternity

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No Concept of Time without Narrated Time 43<br />

Father, Lord of all creation,<br />

ground of Being, Life and Love;<br />

.l.l. yours is every hour’s existence,<br />

sovereign Lord of time and space. 211<br />

One finds the doxological function of space and time in both christological<br />

and Trinitarian contexts. 212 Of the Son, it says:<br />

Creation sings a new song to the Lord,<br />

the universal energies rejoice,<br />

through all the magnitudes of space and time<br />

creatures proclaim the grandeur of Christ. 213<br />

If the mention of “space and time” here serves to replace traditional eternity<br />

terminology, then we encounter the expression “place and time” in Brian<br />

Wren in the opposite context. In the hymn “Christ Is Alive,” the risen<br />

Christ, who comes here from the distant past in Palestine and triumphs<br />

over every place and time, claims the here and now. He is not enthroned in<br />

the distant heavens, but is rather present in the midst of daily life, in order,<br />

in his Spirit, to realize his joy, justice, and love throughout this and all future<br />

ages 214 —a kind of immanent Christology from the past.<br />

Jerusalem is the city that stands high above space and time, with joys beyond<br />

measure and transcendent peace, as is recounted in the Swedish rendition<br />

of Pierre Abélard’s hymn, “O quanta, qualia sunt illa sabbata.” 215 A<br />

look at the Latin text 216 shows that the sublimity over space and time does<br />

not have a direct correlation here. Instead, we are dealing with an interpretation<br />

set against the horizon of a modern worldview, just as is found in<br />

Olov Hartman’s revised version of Dies irae, the Day of Wrath, where there<br />

is neither time nor space. 217 In Hartman’s version, the universe and the sea<br />

tremble, the walls of space fall, the clocks of time stop, and time becomes a<br />

single now. 218 The thirteenth-century Latin text, which can probably be<br />

traced back to Thomas von Celano, knows nothing of this. 219<br />

Hartman is not entirely consistent, however, with regard to the end of<br />

time. In a text from 1979, he makes God the one who, in death, recreates<br />

life for ages and worlds to come. 220 How these new ages and worlds will react<br />

on the day of the big collapse of space and time is a question that must<br />

remain open here. It may be that Hartman, who died in 1982, did not have<br />

enough time to think through, and poetically express, the theme of “(outer)<br />

space and time,” a topic that he frequently mentioned, though it was so<br />

new. His basic intent, however, was clearly expressed in his creed from 1970:<br />

Vi tror att Gud är mer än världen och rymd och tid,<br />

den förste och den siste av allt som finns.<br />

När världen störtar samman är han vårt liv. 221

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