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Time&Eternity

Time&Eternity

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38 chapter 1<br />

In expressions such as “at all times,” the plural of time has the meaning<br />

of “always” in all three languages. Furthermore, “times” characterizes the<br />

change and the succession of different periods, such as old, difficult, stormy,<br />

changing, and new times. Particularly in German, the plural often appears,<br />

even at this point, to be a result of the requirements of rhyme. In Swedish,<br />

one likes to speak of eternal time and also of eternal times, 164 which corresponds<br />

to the occasional use of “eternal ages” 165 in the AHB. 166 “New times”<br />

can have a time-immanent as well as a time-transcendent meaning, that is,<br />

either they are new periods within time, or they signal a complete transition<br />

into eternity. 167<br />

If time is placed in relation to eternity, it often occurs according to a<br />

clear pattern. Time does not necessarily have a negative character, but its<br />

temporary nature is seen more or less as a comfortable prelude to heavenly<br />

peace and songs of praise. 168 This time-eternity perspective based on the<br />

pattern “here the (preparation) time—there the peace” has a long tradition<br />

in classical hymns. It is based upon a distinction between time and eternity<br />

that is not always strictly expressed in the terminology, but which can be<br />

verified by the comparison of the characteristics of time and eternity. Time<br />

is short and fraught with difficulty; eternity means peace. 169 In time, one is<br />

encouraged to “watch, pray, and fight,” 170 while in eternity, one speaks of<br />

coming home, of songs of praise, of restfulness and peace. 171 While time can<br />

signify torment, eternity is comfort. 172 In eternity, no one ages; and, indeed,<br />

there is simultaneity with God. 173 Darkness, coverings, and veils belong to<br />

time, whereas clarity is the mark of eternity. 174 In short, time corresponds to<br />

night; 175 eternity symbolizes morning, day, and summer. 176<br />

However, I do not wish to give the impression that time has been described<br />

in a purely unfavorable manner. The classical hymns certainly know<br />

how to distinguish between good and splendid times on the one hand, and<br />

evil and bad times on the other; but, due to their preliminary nature, both<br />

are defined by eternity, and each, in its own way, is at its service. 177 The bad<br />

times, on the one hand, strengthen eternity’s dimensions of comfort and<br />

hope: The more wretched one’s time is in the vale of tears, the brighter the<br />

brilliant glow of eternity. 178 Good times, on the other hand, vastly increase<br />

the expectations for eternity: If it is so lovely now, just imagine what it will<br />

be like then! 179<br />

A feature common to many hymns, particularly older ones, is therefore<br />

the primacy of eternity. The quality of time is not defined in reference to itself,<br />

but rather by its subordination to eternity.<br />

Ein Tag, der sagt dem andern,<br />

mein Leben sei ein Wandern<br />

zur großen Ewigkeit.

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