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(1991) cultural<br />

exhibit<br />

Floch (1990)<br />

subway<br />

path away from both walls,<br />

short time (5 to 10 minutes),<br />

few stopping, goes through<br />

empty spaces, the itinerary<br />

looks like a loop, the<br />

behaviour is always the<br />

same, does not take care of<br />

the chronological order<br />

Continuous<br />

Follows the flow, ignores<br />

limits, signs, attraction and<br />

events, the environment is<br />

neutralised, same posture,<br />

same look, same<br />

concentration over its<br />

knitting or every other<br />

activity<br />

Table 2. Appropriation strategies in two non-retail spaces<br />

Véron and<br />

Levasseur<br />

(1991) cultural<br />

exhibit<br />

Floch (1990)<br />

subway<br />

right, semi-long time,<br />

about fifteen stops, avoids<br />

going through empty<br />

spaces, behaviour can be<br />

different from one space to<br />

another, follows the<br />

chronological order<br />

Discontinuous<br />

Search for and<br />

appreciation of rhythms<br />

and role playing offered by<br />

the environment, tries to<br />

delimitate, give rhythm, to<br />

segment, to rediscover<br />

some places, to oppose<br />

other places, meticulosity,<br />

at ease and open to the<br />

environment<br />

the exhibit panels, long time,<br />

numerous stops, does not cross<br />

empty spaces, walks along a<br />

wall, same behaviour in the<br />

two spaces, follows the<br />

chronological order of the<br />

exhibition<br />

Non discontinuous<br />

Joins, steps over, anticipates<br />

the obstacles to avoid it,<br />

minimum, speeds high and<br />

strong, zigzags, moves<br />

between, linking, transgression<br />

another, short time (5<br />

minutesn), few stops (5 or 6),<br />

goes through empty spaces,<br />

same behaviour in the two<br />

spaces<br />

Non continuous<br />

break, pause, interruption<br />

Type 1 Type 2 Type 3 Type 4 Global interpretation globale<br />

(and validation methods)<br />

Fish<br />

Butterfly<br />

Ant<br />

Grass Hopper The behaviors reflect the<br />

No appropriation, the Controls its visit, Pedagogical Stroll, no motivation attitudes towards the exhibition<br />

visit is a neutral pleasure, curiosity concern<br />

concerning the and cultural consumption<br />

event<br />

exhibition or its topic (triangulation<br />

discourses)<br />

with visitors’<br />

Sleep-walking Explorers Pro<br />

Strollers<br />

The behaviors reflect the way<br />

The trip is a neutral The trip is the The trip must be The trip is the people live the moment spent<br />

event<br />

opportunity of controlled, efficient opportunity of in the subway, the <strong>value</strong>s of<br />

entairnment and spare time and passive relaxation subway consumptions (no<br />

efforts<br />

mentioned validation method)<br />

Tableau 3. Interpretations of appropriation strategies in two non-retail spaces<br />

This short literature review has shown that:<br />

-people use physical behaviours so as to create space, and therefore shopping, experience;<br />

-distinguishing two broad strategies, like Titus and Everett (1995), is too limited.<br />

The empirical investigations mentioned above were carried out in non-retail settings. Do the<br />

strategies also exist in retail setting?<br />

The aim of the first study was to answer this question.<br />

I.2. The Study:<br />

149

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