Quality, value, satisfaction, trust, a
Quality, value, satisfaction, trust, a
Quality, value, satisfaction, trust, a
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(1991) cultural<br />
exhibit<br />
Floch (1990)<br />
subway<br />
path away from both walls,<br />
short time (5 to 10 minutes),<br />
few stopping, goes through<br />
empty spaces, the itinerary<br />
looks like a loop, the<br />
behaviour is always the<br />
same, does not take care of<br />
the chronological order<br />
Continuous<br />
Follows the flow, ignores<br />
limits, signs, attraction and<br />
events, the environment is<br />
neutralised, same posture,<br />
same look, same<br />
concentration over its<br />
knitting or every other<br />
activity<br />
Table 2. Appropriation strategies in two non-retail spaces<br />
Véron and<br />
Levasseur<br />
(1991) cultural<br />
exhibit<br />
Floch (1990)<br />
subway<br />
right, semi-long time,<br />
about fifteen stops, avoids<br />
going through empty<br />
spaces, behaviour can be<br />
different from one space to<br />
another, follows the<br />
chronological order<br />
Discontinuous<br />
Search for and<br />
appreciation of rhythms<br />
and role playing offered by<br />
the environment, tries to<br />
delimitate, give rhythm, to<br />
segment, to rediscover<br />
some places, to oppose<br />
other places, meticulosity,<br />
at ease and open to the<br />
environment<br />
the exhibit panels, long time,<br />
numerous stops, does not cross<br />
empty spaces, walks along a<br />
wall, same behaviour in the<br />
two spaces, follows the<br />
chronological order of the<br />
exhibition<br />
Non discontinuous<br />
Joins, steps over, anticipates<br />
the obstacles to avoid it,<br />
minimum, speeds high and<br />
strong, zigzags, moves<br />
between, linking, transgression<br />
another, short time (5<br />
minutesn), few stops (5 or 6),<br />
goes through empty spaces,<br />
same behaviour in the two<br />
spaces<br />
Non continuous<br />
break, pause, interruption<br />
Type 1 Type 2 Type 3 Type 4 Global interpretation globale<br />
(and validation methods)<br />
Fish<br />
Butterfly<br />
Ant<br />
Grass Hopper The behaviors reflect the<br />
No appropriation, the Controls its visit, Pedagogical Stroll, no motivation attitudes towards the exhibition<br />
visit is a neutral pleasure, curiosity concern<br />
concerning the and cultural consumption<br />
event<br />
exhibition or its topic (triangulation<br />
discourses)<br />
with visitors’<br />
Sleep-walking Explorers Pro<br />
Strollers<br />
The behaviors reflect the way<br />
The trip is a neutral The trip is the The trip must be The trip is the people live the moment spent<br />
event<br />
opportunity of controlled, efficient opportunity of in the subway, the <strong>value</strong>s of<br />
entairnment and spare time and passive relaxation subway consumptions (no<br />
efforts<br />
mentioned validation method)<br />
Tableau 3. Interpretations of appropriation strategies in two non-retail spaces<br />
This short literature review has shown that:<br />
-people use physical behaviours so as to create space, and therefore shopping, experience;<br />
-distinguishing two broad strategies, like Titus and Everett (1995), is too limited.<br />
The empirical investigations mentioned above were carried out in non-retail settings. Do the<br />
strategies also exist in retail setting?<br />
The aim of the first study was to answer this question.<br />
I.2. The Study:<br />
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