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Colchester Archaeological Report 2: The Roman small finds

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CATEGORY 14: OBJECTS ASSOCIATED WITH RELIGIOUS BELIEFS AND<br />

PRACTICES<br />

This category includes figurines, model objects, a<br />

votive plaque, metal letters from inscriptions, and<br />

amulets, though the religious associations or<br />

significance of some of these items are possibly<br />

minimal. Some, for example the jet hare from Butt<br />

Road, could simply be toys. For the sake of simplicity<br />

they have been dealt with as a group. Other <strong>finds</strong> in<br />

this category are the fragments of textiles and some<br />

possible coffin fittings from graves in the Butt Road<br />

cemeteries. A list of grave deposits from Butt Road<br />

with catalogue numbers for this volume where<br />

applicable is given on microfiche (Appendix 2).<br />

General discussion of the grave goods will be dealt<br />

with in the site report. Grave goods from all the<br />

excavated cemetery areas (Butt Road, Maldon Road,<br />

Inner Relief Road Site B) have been catalogued as<br />

individual <strong>finds</strong>.<br />

FIGURINES<br />

<strong>The</strong> figurines have been divided into two groups,<br />

human and animal.<br />

Human figurines (Figs 166-170; 4260-4267)<br />

4260 Fig 166 SF LWC 4341, B173/321 F70. Cellar backfill. Period<br />

5. Two fragments of a pipeclay bust. Approximate height<br />

120.0mm. <strong>The</strong> larger fragment is a hollow torso on a<br />

pedestal base. <strong>The</strong>re has been a rough attempt to indicate<br />

folds of drapery across the chest. <strong>The</strong> <strong>small</strong>er fragment is of<br />

the lower part of a beardless face. <strong>The</strong>re is a trace of red<br />

paint between the lips, indicating that at least the features of<br />

the bust were originally coloured. <strong>The</strong> base and the sides<br />

have been knife-trimmed at the leather-hard stage to<br />

remove marks left by the mould. It is difficult to be sure of the<br />

age or sex of the subject, but the thick neck and heavy<br />

features could be those of an adult male (cf the bald man<br />

from York, North Yorkshire in RCHM 1962, 69b, pl 31).<br />

However, most of the pipeclay busts of infants and females<br />

illustrated in Rouvier-Jeanlin 1972 have thick necksand full<br />

lips so the identification should remain open.<br />

This bust lacks the button (or bulla) of the Gallo-<strong>Roman</strong><br />

figurines and so may come from the Rhineland (RCHM<br />

1962, 69b). Professor Toynbee (1964, 423) has suggested<br />

that busts of this type could be images representing dead<br />

family members and were probably either deposited in<br />

tombs or set up in domestic shrines.<br />

4261 Fig 167 SF LWC 667, B267 F105. Pit. Period 5. A terracotta<br />

head from a figurine, possibly Venus. <strong>The</strong> back of the head is<br />

missing. <strong>The</strong> features of the face and the hair as seen from<br />

the front are well executed. However, the sides of the head<br />

where the two halves of the mould met have been roughly<br />

trimmed at the leather-hard stage. <strong>The</strong> eyebrows are<br />

indicated by fine incised lines radiating around the eyes. <strong>The</strong><br />

hairstyle, with the hair gathered into two bows on the<br />

crown, is similarto that of pipeclay Venuses (eg Green 1976,<br />

pl 14, c) and of the copper-alloy Venus from Verulamium (St<br />

Albans, Hertfordshire) (Waugh and Goodburn 1972, pl 42),<br />

though without more positive evidence the identification of<br />

this piece as Venus must remain tentative. Height 40.5 mm.<br />

4262 Fig 167 SF LWC 4207, J1. Rubble. Modern. A fragment of a<br />

pipeclay Venus. This piece and 4263 come from the series<br />

of pipeclay pseudo-Venus figurines which have been<br />

discussed by F Jenkins (1959, 60-76). <strong>The</strong> figures were<br />

manufactured in Central Gaul and Cologne in the 1st and<br />

2nd centuries (Green 1976, 20). This fragment runs from<br />

' the waist to the knees and is of Jenkins's second type, where<br />

the goddess appears naked, holding a discarded garment or<br />

piece of drapery in her left hand close to her left leg. <strong>The</strong> back<br />

of the figure is missing. Height 50.0mm. Numerous<br />

complete and fragmentary pseudo-Venuses are illustrated<br />

in Rouvier-Jeanlin 1972.<br />

4263 Fig 167 SF BUC 1741, H588 G543. Grave fill. Period 2. A<br />

fragment of a pipeclay pseudo-Venus figure of the same type<br />

as 4262. This piece runs from the neck to the top of the<br />

thighs. <strong>The</strong> back is missing, as is most of the right arm,<br />

which would have been raised so that the right hand was in<br />

the act of arranging the hair (Jenkins 1959, 60). Height<br />

65.5mm.<br />

4264 Fig 168 SF CPS 766(C), 778 F132. Occupation or make-up.<br />

Period 4. A copper-alloy figurine identified by Professor<br />

Toynbee' as Abundantia or Fortuna. In her left hand she<br />

holds a double cornucopia, the top of the outer piece is<br />

Fig 166 Pipeclay bust (1:2) Fig 167 Fragments from Venus figurines (1:2)<br />

141

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