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INFO - B2B24 - Il Sole 24 Ore

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Edited by <strong>24</strong> ORE Cultura, <strong>Il</strong> design<br />

del bagno nella cultura d’impresa<br />

(Bathroom design in company culture),<br />

via the idea of the bathroom in<br />

the collective imagination, to narrate<br />

the history of an Italian company.<br />

You have to flick through nine rooms<br />

before finding The tenth bathroom.<br />

The bathroom of the future. Because<br />

to speak about Catalano, the approach<br />

taken by Domitilla Dardi and<br />

Carlo Martino with this volume,<br />

does not involve “a celebratory monograph”<br />

but “an excursion through the<br />

collective imagination” which, divided<br />

into two parts, one for each author,<br />

narrates a history whose only certain<br />

fact is that it began in 1967, and a name,<br />

that of Mario Rossi, who is a kind of<br />

human extension of Catalano.<br />

Moving from “general interpretations”<br />

to “functional conceptions”,<br />

through to arriving at “more speculative<br />

dimensions”, the typologies<br />

of bathrooms examined by Domitilla<br />

Dardi introduce an end of the century<br />

scenario, one in which new product<br />

demands take form and minimum<br />

standards of bathrooms give way to<br />

a company in the province of Viterbo<br />

that is ready to transform a modest<br />

entrepreneurial size and its connection<br />

with a peripheral geographic<br />

area, like the district of Civita<br />

Castellana, into major advantages<br />

for highly innovative proposals.<br />

From here the ball passed to Carlo<br />

Martino, an intimate connoisseur of<br />

the company, in which he is responsible<br />

for artistic management, who<br />

traced out the salient stages, starting<br />

from that for Sfera Modulare,<br />

the line which was developed in ‘92<br />

by Nilo Gioacchini, heralding an approach<br />

that was entirely original<br />

within the context of ceramic sanitary<br />

ware.<br />

From there to the revolution constituted<br />

by Sistema Luce was a short step,<br />

even though the strategic value of<br />

production capable of exploring the<br />

same concept in numerous typological<br />

and dimensional variants could<br />

later become a limit.<br />

That it did not was due to the fact<br />

that the rectangle and square became<br />

Zero, giving life to that polyhedricity<br />

on which Catalano production was<br />

founded, and which took form from a<br />

single washbasin, available for typologically<br />

different installations. A<br />

concept which, after ten years, during<br />

past editions of the Cersaie in<br />

Bologna, the company now chooses<br />

to celebrate with a specific celebratory<br />

stand, and the realisation of the<br />

line Zero Star, focusing on the maximum<br />

reduction of ceramic thickness.<br />

A design that has also been realised<br />

thanks to the technological investment<br />

undertaken by the company in<br />

the complete automation of a single<br />

advance firing line, working together<br />

with Sacmi di Imola. Indeed,<br />

everything we have been happy to<br />

talk about in this volume includes<br />

not only the voice of famous designers<br />

and products that have made the<br />

Catalano brand famous, but also sales<br />

and communication strategies - making<br />

sure that 40 years of history and<br />

tradition continue to be exported to<br />

places which, in 1967, seemed only the<br />

wildest of dreams.<br />

© Catalano/Ph Studio Ciapetti<br />

di/by Antonella Camisasca<br />

2011 5<br />

99

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