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Edited by <strong>24</strong> ORE Cultura, <strong>Il</strong> design<br />
del bagno nella cultura d’impresa<br />
(Bathroom design in company culture),<br />
via the idea of the bathroom in<br />
the collective imagination, to narrate<br />
the history of an Italian company.<br />
You have to flick through nine rooms<br />
before finding The tenth bathroom.<br />
The bathroom of the future. Because<br />
to speak about Catalano, the approach<br />
taken by Domitilla Dardi and<br />
Carlo Martino with this volume,<br />
does not involve “a celebratory monograph”<br />
but “an excursion through the<br />
collective imagination” which, divided<br />
into two parts, one for each author,<br />
narrates a history whose only certain<br />
fact is that it began in 1967, and a name,<br />
that of Mario Rossi, who is a kind of<br />
human extension of Catalano.<br />
Moving from “general interpretations”<br />
to “functional conceptions”,<br />
through to arriving at “more speculative<br />
dimensions”, the typologies<br />
of bathrooms examined by Domitilla<br />
Dardi introduce an end of the century<br />
scenario, one in which new product<br />
demands take form and minimum<br />
standards of bathrooms give way to<br />
a company in the province of Viterbo<br />
that is ready to transform a modest<br />
entrepreneurial size and its connection<br />
with a peripheral geographic<br />
area, like the district of Civita<br />
Castellana, into major advantages<br />
for highly innovative proposals.<br />
From here the ball passed to Carlo<br />
Martino, an intimate connoisseur of<br />
the company, in which he is responsible<br />
for artistic management, who<br />
traced out the salient stages, starting<br />
from that for Sfera Modulare,<br />
the line which was developed in ‘92<br />
by Nilo Gioacchini, heralding an approach<br />
that was entirely original<br />
within the context of ceramic sanitary<br />
ware.<br />
From there to the revolution constituted<br />
by Sistema Luce was a short step,<br />
even though the strategic value of<br />
production capable of exploring the<br />
same concept in numerous typological<br />
and dimensional variants could<br />
later become a limit.<br />
That it did not was due to the fact<br />
that the rectangle and square became<br />
Zero, giving life to that polyhedricity<br />
on which Catalano production was<br />
founded, and which took form from a<br />
single washbasin, available for typologically<br />
different installations. A<br />
concept which, after ten years, during<br />
past editions of the Cersaie in<br />
Bologna, the company now chooses<br />
to celebrate with a specific celebratory<br />
stand, and the realisation of the<br />
line Zero Star, focusing on the maximum<br />
reduction of ceramic thickness.<br />
A design that has also been realised<br />
thanks to the technological investment<br />
undertaken by the company in<br />
the complete automation of a single<br />
advance firing line, working together<br />
with Sacmi di Imola. Indeed,<br />
everything we have been happy to<br />
talk about in this volume includes<br />
not only the voice of famous designers<br />
and products that have made the<br />
Catalano brand famous, but also sales<br />
and communication strategies - making<br />
sure that 40 years of history and<br />
tradition continue to be exported to<br />
places which, in 1967, seemed only the<br />
wildest of dreams.<br />
© Catalano/Ph Studio Ciapetti<br />
di/by Antonella Camisasca<br />
2011 5<br />
99