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KARNEVAL I KLASSRUM –KUNSKAP PÅ HJUL

KARNEVAL I KLASSRUM –KUNSKAP PÅ HJUL

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linguistic awareness and articulation in log entries and conversation. Three<br />

forms for formative evaluation have been discerned, self response, peer<br />

response, and teacher response. I summarized the teacher’s mediating function<br />

into prepare, narrate, deliver, and deepen, which testifies to the complex and<br />

demanding profession that is teaching. A teacher must be able to switch between<br />

a large number of roles, abilities. It is desirable that a teacher meets a pupil as<br />

both I-You and I-It (Buber, 1923/2006).<br />

In the carnival’s classroom - discussion<br />

The socio-cultural frame that the classroom signified emerged from the clown<br />

work, a place for dialogue that made learning possible. Hesitation's-in-betweenspace<br />

was found in the carnival’s classroom. The place for art, the uncertain,<br />

testing, the not-quite-finished, was allowed. In hesitation's-in-between-space –<br />

in Derrida’s la différance – Utopia could assert itself. The difference between<br />

that which is and that which can be is elucidated (Derrida, 2006; Dolan, 2008;<br />

Kolle et al., 2010).<br />

Exactly as when the Fool resided in the border “between life and art” (Bakhtin,<br />

1965/2007: 19), the pupils resided in a borderland. They worked under the<br />

auspices of the art form clown. They used the clown’s knowledge and technique<br />

together with experiences from their own lived lives. They were inspired by their<br />

classmates’ and teacher’s experiences. They shaped their own clown. Figure 2<br />

shows the relationship of The clown and the carnival, who having stepped into<br />

the classroom, become The carnival in the classroom. What then happens in the<br />

meeting in the classroom is that pupils learn about themselves, the other, and the<br />

world. A carnivalistic meeting occurs in the classroom. The play that plays us<br />

but the rules must be followed, as Gadamer (1960) writes.<br />

The clown<br />

and the<br />

carnival<br />

Performance<br />

The carnival in<br />

the classroom and<br />

dialogue<br />

Drama pedagogy<br />

The clown<br />

in the<br />

classroom<br />

Knowledge of the self, the other, the world<br />

Figure 15. The carnival in the classroom<br />

196

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