Barriers to Diversity in Film – A Research Review – Aug 07
Barriers to Diversity in Film – A Research Review – Aug 07
Barriers to Diversity in Film – A Research Review – Aug 07
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4.6 <strong>Barriers</strong> <strong>to</strong> c<strong>in</strong>ema attendance<br />
<strong>Barriers</strong> <strong>to</strong> go<strong>in</strong>g <strong>to</strong> the c<strong>in</strong>ema <strong>in</strong>clude f<strong>in</strong>ance (when it may be<br />
cheaper <strong>to</strong> rent a DVD), travel, child care, physical access <strong>to</strong> the<br />
c<strong>in</strong>ema, and a perception that certa<strong>in</strong> films are not ‘for us’. An urban<br />
location <strong>in</strong>creases attendance. A BFI study showed that some m<strong>in</strong>ority<br />
ethnic groups feel ticket prices are <strong>to</strong>o high (BFI 2000). People of<br />
mixed ethnicity and Ch<strong>in</strong>ese and other orig<strong>in</strong> groups were most likely<br />
<strong>to</strong> regard the cost of attend<strong>in</strong>g cultural events as a barrier (Bridgwood<br />
et al 2003). Black Africans and people of Bangladeshi and Pakistani<br />
orig<strong>in</strong> were the most likely <strong>to</strong> say that concerns about feel<strong>in</strong>g<br />
uncomfortable or out of place prevented them attend<strong>in</strong>g cultural<br />
events (Bridgwood et al, op. cit.).<br />
The <strong>in</strong>dustry has done much <strong>to</strong> encourage disabled people <strong>to</strong> visit the<br />
c<strong>in</strong>ema. The issue of ticket prices for disabled people has been given<br />
priority by the C<strong>in</strong>ema Exhibi<strong>to</strong>rs Association (CEA), with help from the<br />
UK <strong>Film</strong> Council. The CEA now offers discounted prices, with two<br />
tickets for the price of one, enabl<strong>in</strong>g a disabled person <strong>to</strong> be<br />
accompanied by a carer. Many c<strong>in</strong>emas, with help from the UK <strong>Film</strong><br />
Council, have <strong>in</strong>stalled subtitl<strong>in</strong>g and audio-description <strong>to</strong> meet the<br />
needs of bl<strong>in</strong>d, partially sighted and deaf people. One third of c<strong>in</strong>emas<br />
now have this equipment and most ma<strong>in</strong>stream films are subtitled or<br />
audio described, though much of this equipment is underutilised<br />
(Brandon et al 20<strong>07</strong>). Significantly more people with sensory<br />
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