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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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peculiar talents* In Gilbert's case this organising genius<br />

complement an orderliness in the plays and libretti - "something<br />

consistent in form", in Granville~Barker's phrase, or,<br />

as G.K.Chesterton more grandly put it:<br />

...the author of The Bab Ballads was the only<br />

Englishman who understood end observed the<br />

unities of Greek tragedy.,-.,<br />

In the second part of this thesis, it is proposed to examine<br />

the treatment which <strong>Shakespeare</strong>'s plays received at the hands<br />

of two designers, £.,:. Godwin and Lewis Wingfield, who were<br />

working towards a designer*s (as opposed to an actor's or<br />

author's) theatre, and who were doing so not only with the<br />

burden of resposibility associated with the National Poet,<br />

but under what Henry Arthur Jones would later call "The Shadow<br />

of Henry Irving". Irving was also striving to achieve artistic<br />

success in the face of some difficulty, and in the next chapter<br />

his management is considered in its relationship to the tendencies<br />

of contemporary <strong>Shakespeare</strong> criticism, and the ideas about<br />

painting outlined in Chapter One. Tennyson said on his deathbed<br />

that he knew Irving woiild do him Justice. The Laureate<br />

had himself atriven to do Irving justice; but how well did<br />

Irving serve an author who, living, had no thought of writing<br />

for the Lyceum?

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