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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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167<br />

and would appear, from the prompt-copy 1 a notes, to have been<br />

simply and effectively conceived - "even old pi; ygoers, "wrote<br />

Scott, "must have trembled behind their convictions", co<br />

thoroughly had Barrett "br; ,ced up tho nervee of the audience<br />

and communicated to them hie own electricity". The danger<br />

lay in the actor's exhausting himself and his ;>Ui ience by so<br />

energetic and sustained & ppce.<br />

The first scene of Barrett »s third oct (ill. 2 of the<br />

original) was a front scene!, and began with a "Proceocion<br />

of attendants &c v/ith torches on their way to see the play"<br />

(promnt-copy). The Times cV scribed Hamlet's manner with the<br />

players as "respectful and even deprecatory":<br />

he roes not hurl his maxims at the tragedian's<br />

or rumble them from the ctopths of his th.vjat,<br />

but submits them v;ith the diffidence of an amateur.<br />

At "Get you a place" (89) the scene changed to c.notaor p; rt of<br />

the castle . : ounds, whore the -plr.y was to be performed. Godwin<br />

described the arrangements in his Life interview, justifying<br />

the outdoor setting in terms of the Danish climate and the<br />

play's tinc-rj-i; n (between sirinc .and autumn, he thought). The<br />

scene bore some resemblance to the Pastoral Players' theatre<br />

at Coombe, exceot that performances there he cl not u; od a<br />

raided platform. In the interview Godwin fave the following<br />

account of the scene in Hamlet ;<br />

There io a garden portal, end the curtain is hung<br />

between the tv/o trees, v/?iore there is a little rjto^e<br />

up three steps. The v/hole court r.rc r^iiread round<br />

the garden, the ladies h^vin. ; ferns, PS well as<br />

her.d-cloths vrcrnecl around then to protect their<br />

throats. There v/ill be plenty of torches, ?nd a<br />

reflection of the moon on the sea.<br />

The Times, after point inr out the cr;v rtic effectiveness of<br />

Hamlet's presenting the rlr.y in the very orc'h rd where the<br />

crinc h; a been conrait'ced, ; ercribed f irt.icr ac'v; nta^es of the<br />

new c.t: riii^:<br />

Spectacul.'.rly at all events the change ±z a v st<br />

inr^rovo^iont u^on \vhnt has c-.li.r.ys been a conewhrit<br />

absurd scene when re rc.,entecl indoors, i'ro- 1 the<br />

necessity of ran^inc the King and Queen an

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