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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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108<br />

sensuous, lacking the "educational" pretensions of Charles<br />

Kean's play-bille, and making use of the new-found subtleties<br />

of colour and psychology. Irving 1 s characters - detached,<br />

melancholic, noble minds fallen into sin - were seen in an<br />

eerie half-light, or were picked out by limelight from their<br />

colourful surroundings. Nothing suggests the visual appeal and<br />

the melancholy of the stage-pictures at their beat so well as<br />

Ellen Terry's description of Eugene Aram, She explains that<br />

Irvii -,..:r was fond of using a cedar tree as a symbol of Pate -<br />

it appeared in Hamlet t among other plays:<br />

In Eugene Aram the Pate Tree drooped low<br />

over the graves in the churchyard. On one<br />

of their. Henry used to be lying in a black<br />

cloak as the curtain went up on the last<br />

act. Not until a moonbeam struck the dark<br />

nass did yourosethat it was a man.oq<br />

$<br />

ii. "Macbeth" at tlie Lyceum, December 1888,<br />

In her autobiography Ellen Terry suggests that 'acbcth marked<br />

an c-vDoli in the Lyceum regime:<br />

. acbeth was the most important of all our<br />

^roductionn, if I judge it by the amount of<br />

preparation and thought that it cost us and by<br />

•the discussion which it provoked., Q<br />

•lacboth ivaa Irving's seventh Shake-'pearean production since<br />

he ar;ou-.iod management of the theatre, being prcc. ded by i'lanlct,<br />

The . •orcii°nt of Venice , Ot'-?! to, Pioneo and Juliet, iuch. Mo<br />

.-boil': :-!otiling and ^welft.'.i lii^t.aa had played the title role<br />

in 1 75 during Bateman's management, to a mixed reception -<br />

"Mr Irving was not vheii fully accepted ae a <strong>Shakespeare</strong>on actor"<br />

reflected .Hie '^or.'lc'.'y, in rnticination of the fortiiconiiif;<br />

production (14 July 1888). Isnry James found the 1875 po,:-f :>rnance<br />

unimaginative and suggestive of "a very anterior amateur"<br />

who i:)i ;-;;lit benefit I'rom n, pro-.cr training:<br />

In declamation he is decidedly flat; 2ii:: voice is<br />

v-ithout chrnn, and hie utterance v.-ithout subtlety.<br />

It v; 3 rvident that Irving had tl:-oufht out his -;<br />

and the intoroct of hie ron^oriaf; of it lies<br />

in oecing a sparo, refined i;i,\n, of an im-hictri^nic<br />

- of a rat..ior oecl ntary - rrj^oc", c;a

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