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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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311<br />

and The ochool for oc.-.nuel. whilst Mansfielu prepared hiti<br />

"heavy guns". On January 26 he ..rote to Dithiaar :<br />

Richard 111 is to be an interesting production<br />

at least. If archaeology is the rage - then<br />

erci.aeolo^y they shall h&ve - ana ..heroes i,r Irving<br />

is said to be correct (but is reelly only effective)<br />

I shall strive to be both. For the first time<br />

the actual armour - the actual "Fecht.veise" of the<br />

period of Richard v.ill be reproduced irom the most<br />

caruful tracings in the British i us^um and under<br />

the supervision of r-gerton Castle (the greatest<br />

authority here) & all the costumes k scenes<br />

under the direction of Seymour Lucas A.K. .,0<br />

In addition to these appeals to the t; ste for archaeology<br />

Mansfielo intended to offer tn unconventional interpretation'<br />

of the main chare cter:<br />

Ky ideas of Richard III are different I think<br />

in m ny respects to the acceptec & usual cnc<br />

may perhaps on that account be interesting -<br />

at all events Richard ..ill himself speck for<br />

the Visions - i.e., y,u ill see his dre:ra -<br />

faintly - shadowy - but you vill not hesr it<br />

but in broken dreamy tc e^oni-cc accent,- irora<br />

uichard, - in f • ct as men under the influence<br />

of "ni^ht-mare." spe^k. I shall enceavour to<br />

mi^ke Richara a cru-n who mit perchance be rej sonably<br />

supposed to ^ iu a \.omt n under such circumstances<br />

as those unaer .hich he wins Lacy /.nne<br />

- and ts I find "ch> t he "»;:s i.;orcini tely fond<br />

of dress - I shyll cress hin finely, r'lease God<br />

I may be successful.<br />

In this interpret tion archaeolo t.ic 1 ex^.ctituc.^ ..;.s to L>U<br />

taken to its ultimate ae^ree - not only the setting but the<br />

cr.ar: ctori^ation v.-t-s informac by historical research. The<br />

proceeding v;es not entirely souna, for, es archer pointec<br />

out, ^To insist upon historic; 1 co tails is ;iot to make sh; kospeare<br />

f u nich; r real, but rather to r^ir.ind Uo 01 i.i., unrer.lity"<br />

even Irvin0 had not triec to adept frocboth's theatric 1<br />

chare. cter to the "rather virtuous ar.ci enlightened sovereign"<br />

reve lea y history ( f.ihe orU ,

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