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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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iv. waiter ?at,er«n<br />

Pater published three essays on ,3ha.kespearean sjiugect^, bringing<br />

them together in 13C9* in the volant of Apjprccii..tio/iS. The first<br />

to appear was "A Fragment on Keaaure. ..for . . ousure " in The Fortnightly<br />

-ioview for November 1874. In 188|> "Love* a Labour's Lost"<br />

( ;ic) vjc.a printed ir: the December issue of ^'.ccd 1 lan * 3 :'o.(.yizine ,<br />

and in April 1839 "Shake spa;. re »u Knglish Kin^c" appeared in<br />

jjoribnor * a Magazine* In all three Pater aoontec' the spelling of<br />

the drcunc.tj.L.t'e licirne propo^eu by ulic i:ev; nhaic^-jpere Society. In<br />

tlicessays ;vc-re flrteG I-07'l , ! ? "' and 1 C 39, but<br />

the onioi of the two earlier ones was reversed, that on Love's<br />

Labour's -lost preceding "A ^ra^ncnt on '^^i^.e_fj>r_ ]- ' eagure" .<br />

In the pages which follow the essays are quoted in the text of<br />

their first appearance,<br />

The dominant theme in the first of the eswayu is that of<br />

the creative artist's attitude and powers - the process of<br />

composition is described in. terms sufc/^estinc painting and botany<br />

(a science beloved of .Pre-^nh^.olite painters):<br />

Ahetstone himself turned the thin«c iato a 'tale...<br />

a genuine dece, v/ith touches of unclosi^iiod -ootry,<br />

a ciii.iiri; x'ield-i'lower hore and there of diction or<br />

sentiment, the whole strung up to ,- n effective<br />

brevity, tuiu vvita the ir £.r.izice of t;i-^t admirable<br />

>V,e o.':' lit",i-:?tur© about it.<br />

( ' : ;ho Fortnihtly " i'icv. . XXII (I 1 14)<br />

Hhc'-kpspearc then c^?~.rr ps s. combined .rrc-iioect cmd painter:<br />

Hero thor. there n s so;aot'ain~ of th?,- o.oi;ln.-l Italian<br />

colour; in tliis narrative 3hcJ;oco-rrc ;:ay ,;ill hr>ve<br />

c.;i,i;i:>t the fir !: "M'-pce of o, con^^rition -vith nobler<br />

"or'O""?ort.iorir:;J r.'n^ POTnc; -rvrtlo^s ."- 'JcG^ch fror lie ov^i iicncZ.<br />

the "5lay £G v.'c cfw'.lly read it. Out of -''less inrii/;;-<br />

nific^nt sources ;jlirL.;.e:.'pGre'.^ -)l^y :;rice; , full of<br />

bocvat",'', t'jo .'ior; bO'\y of n ""A ;-j.c-r, 'l;ho.'j.L-;h c'orietinps<br />

re::'iote anu difficult poetry, ecc,';:in- fror: fio i:i~porr^oi<br />

ro.lic.-: of t-icj old rj'i/ ;r,/-, yot not v;hoily<br />

tr.-i'icf jr.aed, ;f.nd -avon .--fa it , !;. _.'. .'3 t.ic oro->arition<br />

3.1.1;,-", ".TO '.^ir^.u ^"'liLc, jj? ;.x :-jtili ".Dre i-ioosirj^<br />

(p.533)<br />

'..-here is c hj.nt of th2 :.ir.^Uo obout t;d3 J?MJ.:ebpeare, vvhoce play<br />

"risetj" c-3 though nonjurocl u ^ rat^.^r them const rue tod, p.nri thic;

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